“Sweet Mother” by Prince Nico Mbarga

Prince Nico Mbarga2To celebrate Mother’s day this Sunday, I just wanted to bring back “Sweet Mother” by Prince Nico Mbarga. “Sweet Mother” is one of the most popular songs on the African continent, ahead of Miriam Makeba‘s “Malaika“, Franco‘s “Mario“, and Fela Kuti‘s “Lady“. What is so special about this song, is that it is an ode to all our precious mothers, it is often called Africa’s anthem sung by a child to his mother. It is a highlife song sung by Prince Nico Mbarga and his group Rocafil Jazz International, a Cameroonian-Nigerian artist, and the song has rocked many on the continent; Sung in Pidgin English, “Sweet Mother” became one of the top sellers in the history of Nigerian music.  It was voted as Africa’s favorite song by BBC in 2004, and many other programs. So, to all the mothers out there, Happy Mother’s Day and enjoy “Sweet Mother“!!!

 

Sweet Mother by Prince Nico Mbarga

Sweet Mother
Sweet mother I no go forget you
for the suffer wey you suffer for me.

Sweet mother I no go forget you
for the suffer wey you suffer for me.

When I dey cry, my mother go carry me she go say,
my pikin, wetin you dey cry ye, ye,
stop stop, stop stop make you no cry again oh.

When I won sleep, my mother go pet me,
she go lie me well well for bed,
she cover me cloth, sing me to sleep,
sleep sleep my pikin oh.

When I dey hungry, my mother go run up and down.
she go find me something when I go chop oh.

Sweet mother I no go forget you for the suffer wey you suffer for me

When I dey sick, my mother go cry, cry, cry,
she go say instead when I go die make she die.

O, she go beg God,
God help me, God help, my pikin oh.

If I no sleep, my mother no go sleep,
if I no chop, my mother no go chop, she no dey tire oh.

Sweet mother I no go forget you,
for the suffer wey you suffer for me.

You fit get another wife, you fit get another husband,
but you fit get another mother? No!

And if I forget you, therefore I forget my life and the air I breathe.

And then on to you men, forget, verily, forget your mother,
for if you forget your mother you’ve lost your life.

The Conference of Bandung – 60 years later

Nasser, Sukarno, and Nehru celebrating the success of the conference in 1955
Nasser, Sukarno, and Nehru celebrating the success of the conference in 1955

As the world marks the 60-year-anniversary of the Conference of Bandung, the real turning point in the history of decolonization for Asian and African countries, I found this article on Pambazuka particularly relevant. One question still remains: has anything changed 60 years laterDo we need another Bandung ConferenceIs the world a better place for the ‘weaker’ countries? Enjoy! For the full article, go to Pambazuka (pour une lecture en francais, aller sur Voltaire).

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One of the key outcomes from the Bandung Conference [in 1955] was the Afro-Asian hope to open the opportunity for the Global South representing largely Asian, African, Latin American and Oceania to have a voice in world affairs. The creation of a non-alignment space to seek freedom from joining either the USA or the USSR camp was a clear objective. The choice to pursue agency to realize full independence from all forms of colonialism, which much of Africa was still in, and the urgent need to deal with the risk of neo-colonialism by the recognition and appreciation to strengthen the formally independent Asian countries to remain free appeared to have motivated the Bandung gathering. The Bandung spirit and purpose was primarily driven to bring about a total post-colonial condition by removing the penetrability of the African, Asian, Oceania and Latin American peoples by opening the non-alignment route to independence and freedom. The objective was to try to identify and pursue ways and strategies of development along a decolonizing trajectory, free from the dictation of either the USA dominated world order or the attempt by the ex-USSR through the Cold War to create an alternative non-capitalist-driven world order.

Bandung Conference - 1955
Bandung Conference – 1955

Though in many ways the 1955 conference in Bandung, Indonesia was a turning point for attempting to construct a post-colonial international political order; we still live in a world where imperialism, colonialism, war, exploitation, injustice and unfairness continue to complicate the contemporary world political economic space. What was loudly voiced at Bandung was the anti-colonial spirit and the aspiration for building a world order that appreciates rather than ignores the Global South and the newly growing numbers of independent countries from colonialism still remain largely unfulfilled. Instead of decoloniality prevailing we have neo-colonialism penetrating most of the Global South. The state and condition of post-coloniality is still waiting to be realized. We need a new and revitalized Bandung Conference spirit and a strong Global South to put on the agenda a total post-colonial reality to guide the architecture of new global world re-order. Continue reading “The Conference of Bandung – 60 years later”

“Capitaine Thomas Sankara” by Christophe Cupelin

"Capitaine Thomas Sankara" by Christophe Cupelin
“Capitaine Thomas Sankara” by Christophe Cupelin

I had to share the trailer of the documentary “Capitaine Thomas Sankara” by Christophe Cupelin, which was shown this year at the FESPACO 2015 in OuagadougouBurkina Faso. This is the first time a movie about Thomas Sankara, the African Che, could be shown at the FESPACO in 27 years since Compaore‘s coup. Enjoy!

FESPACO 2015: Celebrating African Films

FESPACO 2015
FESPACO 2015

FESPACO 2015 ended last week, and ran from February 28th until March 7th. The festival’s glamour was not at its usual, since the overthrowing of Blaise Compaoré, but it still took place in Ouagadougou, Burkina Faso, and brought in some great African films and documentaries.

"FIEVRES" by Hicham Ayouch
“FIEVRES” by Hicham Ayouch

This year’s festival featured, for the first time, films from the African diaspora. 720 films competed, and 134 were selected in the 5 categories. The winner of this year’s Golden Stallion of Yennenga was “Fievres” by the French-Moroccan filmmaker, Hicham Ayouch.  The film tells the story of a 13 year old boy, displaced and prone to violence who learns that he has a father after his mother is sent to jail, and is sent to live with his father in a Parisian suburb. The beauty of “Fievres” is its focus on telling the tale between a father and son who have to learn to be father-son, and also the cultural identity among immigrants, and practicing Muslims in France.

"Fadhma N'Soumer" by Belkacem Hadjadj
“Fadhma N’Soumer” by Belkacem Hadjadj

The Silver Stallion was awarded to Algerian director Belkacem Hadjadj for his film on “Fadhma N’Soumer“, a stunning biopic on the life of the Algerian resistance leader who fought against the French colonial forces in Kabyle. I was so happy to see this movie made, and winning the second prize, as I had written about Lalla Fadhma N’Soumer a while ago, and wanted her praises to be sung. This is truly Africans telling their own stories, and honoring their greatest heroes and heroines. Applauses to director Belkacem Hadjadj for telling our history.

"L'Oeil du Cyclone" (The Eye of the Cyclone) by Sekou Traore
“L’Oeil du Cyclone” (The Eye of the Cyclone) by Sekou Traore

The Bronze Stallion was awarded to Burkinabé director Sekou TraoréL’Oeil du Cyclone” (The Eye of the Cyclone), which is a political drama set in an unnamed African country plagued by civil war. The film follows an idealistic young lawyer committed to defending a former child soldier charged with war crimes. The movie shows two faces of Africa: the young, idealistic and futuristic, vs. the broken and consumed with the past. The movie also won the festival awards for Best Actress (Maimouna N’Diaye – who is clearly a rising star of African cinema), and Best Actor (Fargass Assandé).

"Capitaine Thomas Sankara" by Christophe Cupelin
“Capitaine Thomas Sankara” by Christophe Cupelin

The Burkinabé public finally had the chance to see the documentary “Capitaine Thomas Sankara” by Christophe Cupelin, which would have never been allowed at FESPACO under Blaise Compaore’s tenure (Thomas Sankara‘s murderer, best friend, and coup-formenter). It was a time to celebrate the life of Burkina Faso’s greatest hero. To read more about this year’s FESPACO, check out The Guardian, and the FESPACO homepage.

 

When Looted Art is returned to Nigeria

Pendant Ivory mask representing Queen Idia, Iyoba of Benin City (16th Century)
Pendant Ivory mask representing Queen Idia, Iyoba of Benin City (16th Century)

A British man recently decided to return looted art that his grandfather had taken (stolen?) away during the 1897 Benin City Massacre. The article about the art returning is on BBC. I do salute the man for doing it; and I wish the British museums and museums around the world will return art looted by Europeans in African countries and countries around the world. True, the man excuses his grandfather’s acts by saying: “We are taught from a very young age that the killing of enemy combatants under the umbrella of statehood is a regrettable necessity of life.” And excuses the art looting by saying, “To him [his grandfather], it was probably no more than picking up stuff that’s washed up on the beach, because people had fled and nobody owned them any longer.” But he is happy they are now back in Benin City. “These objects are part of the cultural heritage of another people… to the people of Benin City, these objects are priceless.”

I also decided to link back to the story I wrote a while ago about the Benin City Massacre.

‘One Love’: Bob Marley’s Cry for World Unity

Bob Marley
Bob Marley

On February 6th, the world celebrated Sir Bob Marley‘s 70th birthday or earth day. People around the world gathered to commemorate the life of the great Reggae legend. There were lots of live performances and exhibitions in Jamaica, and around the world. From February 1-6, there were five-day celebrations featuring international reggae acts, tribute shows, art and food. All these festivities take us back to Bob Marley’s strong message of unity, oneness, and universality, or ONE LOVE: love for all mankind, love for our fellow brothers, love for ourselves, love for our planet, and above all love for our Creator. Someone said that if we were busy loving, there will be no war, and that is truly Sir Marley’s message: “One Love, One Heart. Let’s get together and feel all right.”

Africa’s Love Anthem: ‘AMI O’ by Ebanda Manfred

'Ami Oh' and its many interpretations
‘Ami O’ and its many interpretations
Coeur
Coeur

In celebration of Valentine’s Day, I would like to talk about one of Africa’s great love songs, ‘AMI O‘. Many songs have made the entire continent shake, but few have had the dimensions of ‘AMI O‘ of Ebanda Manfred. ‘AMI O‘ is to Cameroonian and African music what ‘Guantanamera‘ is to Cuban and Latin music: a world classic. But ‘AMI O‘, ‘AMIO‘, ‘AMIE OH’, or ‘AMI OH’, or ‘AMIYO‘ is first and foremost a love song. It is a declaration of love, a love anthem. It has been reprised by over 20 world class artists among which, Bébé Manga, Papa Wemba, Francis Bebey, Angelique Kidjo, Manu Dibango, Monique Séka, Bisso Na Bisso, Nayanka Bell, Jacky Biho, NaimaHenri Salvador, André Astasié, and so many more.

Ebanda Manfred
Ebanda Manfred

Where did it all start? In 1960, 24-years old Ebanda Manfred fell head over heels in love with a teenage single mother from Yaoundé, Cameroon. The girl, Amié Essomba Brigitte, had to quit school to take care of her child. Madly in love, Ebanda Manfred told her of his feelings, but she told him that she could not start a love relationship until her child was weaned. Finding the wait too long, especially since he had to return to Douala the following year, Ebanda Manfred sang his despair and asked: “Amié, njika bunya so mo, oa mo o ma dubè no, na mba na tondi oa?”. Translation: “Amié, when will you finally believe in my love?” Thus the song “Amié ” was born. It became an instant hit when it came out in 1962. A year later, it was reprised by Francis Bebey. In 1980, the great Bébé Manga made an adaptation which brought her to the international stage, as she won the “Golden Maracas.” The song will be reprised by artists around the world, from the Carribbean to Latin America, and Europe.

Bebe Manga
Bebe Manga

In celebration of Valentine’s day, I live you with this great African love song. In Bébé Manga’s English version, the song clearly states “Amie (friend) oh, you are all I ever hoped for, everything I ever dreamt of, …” So tomorrow, don’t forget to sing AMI O to that special one, that one you longed for, and dreamt of, that special one in your life.

Côte d’Ivoire wins the 2015 Africa Cup of Nations

Cote d'Ivoire wins the African Cup of Nations 2015 (Source: BBC)
Cote d’Ivoire wins the African Cup of Nations 2015 (Source: BBC)

Yesterday’s final was the culmination of years of hard work for the so-called golden generation of Ivorian footballers. Yes, yesterday, Cote d’Ivoire defeated Ghana in the finals of the Africa Cup of Nations in penalty kicks. The Elephants of Côte d’Ivoire had been a strong team on the African continent for many years, and this generation was meant to win at some point. This was the last chance for many members of the Elephants team. So sad that Didier Drogba, one of its key players for so many years, could not be amongst his teammates to raise that trophy as well, for he made us proud for so long. My hat goes out to Yaya Touré, Kolo Touré, Gervinho, Boubacar Barry, Wilfried Bony, and all the other team players. The hero of the game for Côte d’Ivoire, was their goalkeeper Boubacar Barry who had replaced the regular keeper, was in pain throughout, but scored the winning penalty after making a crucial save from the Ghanaian keeper.

African Cup of Nations' Trophy
African Cup of Nations’ Trophy

Truly, Ghana was the better of both teams for the first 120 minutes with more chances of scoring, but penalty kicks decided otherwise. It was actually quite a disappointing final to watch: no real outstanding moments from both sides. However, we raise our hats to all members of the Ghanaian squad, and hope to see them again at the next CAN, and in the finals. Thanks for a good cup.

CAN 2015: Ghana vs. Cote d’Ivoire, May the Best Team Win!

CAN 2015

African Cup of Nations' Trophy
African Cup of Nations’ Trophy

That’s it! The CAN 2015 final will be Ghana vs. Côte d’Ivoire on Sunday in Malabo, Equatorial Guinea. This is a remake of the 1992 African Cup of Nations’ Final which saw Côte d’Ivoire win against Ghana in Senegal in penalty kicks. These were the times of the great Ghanaian player Abedi Pele (whose two sons, André and Jordan, are in the current 2015 squad), and Ivorians Gadji Celi (now a famous singer in his country and throughout Africa) and one of Africa’s great goalkeepers Alain Gouaméné.

Cote d'Ivoire
Cote d’Ivoire
Map and Flag of Ghana
Map and Flag of Ghana

If Ghana wins, this will be their fifth trophy, and they will be the second most titled winner of the CAN, after Egypt; right now, they are tied with Cameroon having won the trophy 4 times since its creation. If Côte d’Ivoire wins, this will be their second win in the history of the cup. Will Sunday’s final be a remake of 1992? Or will the Black Stars of Asamoah Gyan and the two Ayew brothers claim victory over the Elephants of Côte d’Ivoire?

CAN 2015: Who will win the African Cup of Nations?

CAN 2015Now that the first round of the African Cup of Nations has gone through, several countries have qualified for the next stage: Congo and Equatorial Guinea qualified in Group A, Tunisia and the Democratic Republic of Congo (DRC) in Group B, Ghana and Algeria in Group C, and Cote d’Ivoire and Guinea in Group D.

CAN 2015 Fixtures
CAN 2015 Fixtures

There will be some BrazzavilleKinshasa rivalry as the two Congos are set to face each other in the first quarter final on Saturday, while the host Equatorial Guinea will take on Tunisia. Ghana and Guinea will face each other in the third quarter final, while Côte d’Ivoire will meet Algeria in the last one.

African Cup of Nations' Trophy
African Cup of Nations’ Trophy

In soccer, all teams have the same chances, but very often, experience and/or good discipline/organization always pays. Algeria, as Africa’s top team in the FIFA world ranking, is a big name this year; even though they did not perform so well in the first round, they are expected to do better. However the Elephants of Cote d’Ivoire have the most experience at this stage of the competition. That will be a good game to watch. The same story applies between Ghana and Guinea: Ghana has been the better of the two teams and also has a more experienced squad with Asamoah Gyan at their helm. Between the two Congos, a slight edge is given to DRC with their secret weapon in the person of Yannick Bolasie. Between Equatorial Guinea and Tunisia, any guess is a good one, even though having the host nation advance further in a competition is always a good thing. With this said, which team do you think will advance to the semi-finals, and which team will lift this year’s African Cup of Nations’ trophy?