I recently heard about the Syllart Records, a music records label which many considered to be the equivalent of the African continent’s Motown records. The record label leader is Binetou Sylla, the daughter of the founder, the late Senegalese producer Ibrahima Sory Sylla. The label owns the largest African music catalog in the world, spanning the last sixty years of music creation. Its founder, Sylla’s impact on African pop music and its global influence is really wide. Imagine the hard work, the quality, the authenticity, and innovation that went on in his studios! Yet, I had never heard of his name. However, I had heard about some of the artists produced under his label, and danced to their music, such as Ismael Lo, Salif Keïta, Empire Bakuba, Sam Mangwana, Gadji Celi, M’Pongo Love, Tshala Muana, M’bilia Bel, Oumou Sangare, Pépé Kallé, Miriam Makeba, Papa Wemba, or Africando, and so many others.
Binetou Sylla of Syllart Records (Source: Panafricanspacestation.org.za)
Today, his daughter is working on digitizing all that hard work, and trying to find ways to give rights to the musicians. She says of her father on OkayAfrica, “[My father] preferred to let his work, his music speak for him. He was an ambassador for African music. … [He] excelled at scouting new talent and used Syllart as a launching pad for many who would rise to global stardom.” Enjoy her recent interview to BBC. Check out the Syllart Records YouTube channel.
“People in the United States [the West] still have a ‘Tarzan’ movie view of Africa. That’s because in the movies all you see are jungles and animals . . . We [too] watch television and listen to the radio and go to dances and fall in love.” Miriam Makeba
“In the West the past is like a dead animal. It is a carcass picked at by the flies that call themselves historians and biographers. But in my culture the past lives. My people feel this way in part because death does not separate us from our ancestors.” Miriam Makeba
As a child, my mother had all of Hugh Masekela‘s CDs, and so I grew up listening to his music. A few years back, I was fortunate enough to attend one of his concerts when he was on tour in the US. As his colleague and friend Yvonne Chaka Chaka said in the interview below, Masekela was very down to earth. After his concert, he came out, and greeted us… so I queued up and even got a chance to talk to him! Imagine that! I talked to the great Hugh Masekela! His enthusiasm was contagious! I particularly loved what he could do with his trumpet and his voice: simply amazing! Some of my favorite tracks were ‘Chileshe,’ ‘Strawberries‘ (not sure why, maybe because of the children’s chorus or the fact that as a child I could taste those juicy strawberries), ‘Coal Train (Stimela),’ ‘Khawuleza,’ ‘ The Boyz doin’ it‘, and countless others. Maybe it was his voice, slightly cracked and full of power, or the magic that came out of his trumpet, or the mix of African sounds,… all of it combined made Hugh Masekela, a genius African Jazz Trumpeter and musician.
Ramopolo Hugh Masekela was born on April 4, 1939, in Witbank, South Africa, a coal-mining town near Johannesburg. His father, Thomas Selema Masekela, was a health inspector and noted sculptor; his mother, Pauline Bowers Masekela, was a social worker. From a young age, he developed an early affinity to music, and was encouraged by his mentors to further the study of it. During an early trip to the US, he met Louis Armstrong, who offered his band a gift: a trumpet.
A true African beauty: Mama Africa, Miriam Makeba
Hugh Masekela was not just a musician, but he was also a political activist who fought against that hateful system called apartheid. Throughout his career, he performed with great names such as Jimi Hendrix, Janis Joplin, Otis Redding, and collaborated with Harry Belafonte, Herb Alpert, Bob Marley, Fela Kuti, Paul Simon — and his ex-wife, Miriam Makeba. For almost 30 years, “Bra Hugh,” as he was fondly known, was exiled from his native country.
And almost despite himself — as he struggled for decades with copious drug and alcohol abuse — Masekela became a leading international voice against apartheid. In that sense,Masekela was like the prodigal son, whom God greatly loved, and who despite the drugs, was redeemed and even founded an organization, the Musicians and Artists Assistance Program of South Africa, to help South Africans artists battle substance abuse.
He sought solace on his home continent. “For me, songs come like a tidal wave,” he said. “At this low point, for some reason, the tidal wave that whooshed in on me came all the way from the other side of the Atlantic: from Africa, from home.” Indeed, when one listens to songs like ‘Khawuleza’full of energy, one does feel the tidal wave!
Hugh Masekela
Now Bra Hugh has taken his tidal wave and trumpet to the angels, who will be rocking to the sounds of ‘Chileshe‘ in heaven. I can clearly say that Hugh Masekela was one of the greatest, if not the greatest African Trumpeter of all. The New York Times published a very good article on him, the NPR as well, and the Guardian did a beautiful photo-Journal article on him: Hugh Masekela: life and career of the jazz trumpeter – in pictures. I live you with another great African singer, Yvonne Chaka Chaka, tribute to Bra Hugh. Enjoy!
“I look at an ant and I see myself: a native South African, endowed by nature with a strength much greater than my size so I might cope with the weight of a racism that crushes my spirit.” Miriam Makeba
“The conqueror writes history; they came, they conquered, and they write. You don’t expect people who come to invade us to write the truth about us…” Miriam Makeba
“Le vainqueur écrit l’histoire, ils sont venus, ils ont vaincu et ils ont écrit. On ne peut pas attendre de ceux qui nous ont envahi qu’ils écrivent la vérité sur nous…” Miriam Makeba
“I ask you and all the leaders of the world: Would you act differently, would you keep silent and do nothing if you were in our place? Would you not resist if you were allowed no rights in your own country because the color of your skin is different to that of the rulers, and if you were punished for even asking for equality? I appeal to you, and through you to all the countries of the world, to do everything you can to stop the coming tragedy. I appeal to you to save the lives of our leaders, to empty the prisons of all those who should never have been there.” Miriam Makeba
Who has not heard of the famous African love song ‘Malaika?’ The best known version of this song is the one sung by Mama Africa, Miriam Makeba. It is a Swahili song written by Tanzanian Adam Salim in 1945, who composed “Malaika” for his very beautiful girlfriend Halima Ramadhani Maruwa. Their parents disapproved of their relationship, and Halima was forced by her parents to marry an Asian tajir (wealthy man). The song is sung by a poor young man who wishes to marry his beloved ″Angel″ or ″Little bird″ but is defeated by the bride price.
A true African beauty: Mama Africa, Miriam Makeba
This song is the most famous of all Swahili love songs in Tanzania, Kenya and the entire East Africa, as well as being one of the most widely known of all Swahili songs in the world; again, it was made popular around the globe by Miriam Makeba. Malaikameans “angel” in Swahili, and this word has always been used by the Swahili speakers to refer to a beautiful girl.So this is to all the angels out there for this Valentine day.
Malaika
Malaika, nakupenda Malaika
Malaika, nakupenda Malaika
Nami nifanyeje, kijana mwenzio
Nashindwa na mali sina, we,
Ningekuoa Malaika
Nashindwa na mali sina, we, Ningekuoa Malaika
Kidege, hukuwaza kidege
Kidege, hukuwaza kidege
Nami nifanyeje, kijana mwenzio
Nashindwa na mali sina, we,
Ningekuoa Malaika
Nashindwa na mali sina, we, Ningekuoa Malaika
Pesa zasumbua roho yangu
Pesa zasumbua roho yangu
Nami nifanyeje, kijana mwenzio
Ningekuoa Malaika
Nashindwa na mali sina, we, Ningekuoa Malaika
Angel
Angel, I love you angel
Angel, I love you angel
and I, what should I do, your young friend
I am defeated by the bride price that I don’t have
I would marry you, angel
I am defeated by the bride price that I don’t have I would marry you, angel
Little bird, I think of you little bird
Little bird, I think of you little bird
and I, what should I do, your young friend
I am defeated by the bride price that I don’t have
I would marry you, angel I am defeated by the bride price that I don’t have I would marry you, angel
The money (which I do not have) depresses my soul The money (which I do not have) depresses my soul and I, what should I do, your young friend
I would marry you, angel
I am defeated by the bride price that I don’t have I would marry you, angel
Although just a singer, Miriam Makeba decided that she could not stay without telling the world about the oppression suffered by her people at the hand of the apartheid government. So, with a small voice, she stood at the United Nations General Assembly in 1963 and delivered a speech where she exhorted the leaders of this world to act. In her own words, she said: “I ask all the leaders of the world: would you act differently, would you keep silent and do nothing if you were in our place, would you not resist if you were allowed no right in your own country because the color of your skin was different from the color of the rulers?”
African Heritage 