Kankan Musa: The Richest Man in World History

Kankan Musa (Source: Atlas Catalan, 1375)
Kankan Musa (Source: Atlas Catalan, 1375)

Today, I would like to talk about the richest man planet earth has ever seen… yes, you heard me right, the richest man whose fortune was estimated to be over 400 billion dollars, or 310 billion euros. Did you guess who that was ? If you thought Bill Gates, I am sorry to disappoint you. It is the great Emperor of Mali, Kankan Musa, also written Kankan Moussa, or Mansa Musa, or Mansa Moussa, or Kankou Moussa.

Kankan Musa was the tenth Mansa, King of Kings, or Emperor of the great Empire of Mali from 1312 to 1337. At the time of Musa’s accession to the throne, the Empire of Mali consisted of territories which had belonged to the Empire of Ghana and Melle, and surrounding areas.

Emperor Kankan Musa
Emperor Kankan Musa

His name, Kankan Musa or Kanga Musa meant « Musa, son of Kankou Hamidou », in reference to his mother (In those days, the Mandinka people were a matriarcal society). Kankan Musa is often referred to, in literature, as Mali-koy Kankan Musa, Gonga Musa, and Lion of Mali. He had lots of titles, including Emir of Melle, Lord of the Mines of Wangara, Conqueror of Ghanata, Fouta Djallon (also written Futa Jallon), and at least a dozen other areas.

Empire of Mali (Wikipedia)
Empire of Mali (Wikipedia)

He took the Empire of Mali to its peak, from the Fouta Djallon to Agadez (in northern Niger), including the ancient Ghana, and Songhai Empires. He established diplomatic relationships with Portugal, Morocco, Tunisia, and Egypt. His reign corresponds to the golden era of the Malian Empire.

Assemblée constitutive de l'empire du Mandé (Source: Wikipedia.fr)
Assemblée constitutive de l’empire du Mandé (Source: Wikipedia.fr)

Kankan Musa’s pilgrimage to Mecca made him popular in North Africa, and in the Middle East. Musa made his pilgrimage to Mecca in 1324, with a procession of 60,000 men, 12,000 servants who each carried four pounds of gold bars, heralds dressed in silks who bore gold staffs, organized horses and handled bags. Also in the train, were 80 camels, which carried between 50 and 300 pounds of gold dust each (Gold was the currency in Mali). He gave away gold to the poor along his route. Musa not only gave gold to the cities he passed on his way to Mecca, including Cairo and Medina, but he also traded gold for souvenirs. Moreover, he would also build a new mosque every Friday in any city he so happened to pass by. Musa’s journey was documented by several eyewitnesses along his route, who were in awe of his wealth and extensive procession, and records exist in a variety of sources, including journals, oral accounts and histories. Musa’s visit with the Mamluk sultan Al-Nasir Muhammad of Egypt in July 1324 is well-recorded.

Sankore Mosque in Timbuktu
Sankore Mosque in Timbuktu

Musa’s generosity, however, inadvertently devastated the economy of the region. In the cities of Cairo, Medina and Mecca, the sudden influx of gold devalued the metal for the next decade. Prices on goods and wares greatly inflated. To rectify the gold market, Musa borrowed all the gold he could carry from money-lenders in Cairo, at high interest. This is the only time recorded in history that one man directly controlled the price of gold in the Mediterranean. Imagine a single man controlling the economy of not only one country, but of an entire region!

Sankore University in Timbuktu
Sankore University in Timbuktu

Mansa Musa was a great builder. He had several mosques and madrasas built in Timbuktu and Gao. The most important of its constructions is the University of Sankore. In Niani, his capital, he built an Audience Hall, a building communicating directly with the royal palace through an interior door.  It was “an admirable Monument” surmounted by a dome, adorned with arabesques of striking colours. The windows of the upper floor were plated with wood and framed with silver, while those of a lower floor were plated with wood, framed in gold. This palace no longer exists. Like the Great Mosque, the Hall was built in cut stone. The Italian art and architecture scholar Sergio Domian said: “At the height of its power, Mali had at least 400 cities, and the interior of the Niger Delta was very densely populated.” Can you imagine that? In this day and age, how many countries in this world can boast 400 densely populated cities? Yet, the Mali of Kankan Musa claimed it all.

Manuscripts a Tombouctou (Mali) montrant de l'astronomie et mathematique
Manuscripts a Tombouctou (Mali) montrant de l’astronomie et mathematique

At the end of his life, in 1332 or 1337, the Empire of Mali limits were from the Atlantic Ocean to the Eastern shores of the Niger River, and to the forests of Taghaza in the middle of the Sahara. Kankan Musa was not only a rich man who gave to all, built mosques, and great places of worship, he was also a just conqueror, and a great builder. He took the Empire Mali to its peak, and made it the talk of places as far as the Middle East and Europe. Many Europeans and Middle Easterns would send delegations of architects, merchants, writers, astronomers, mathematicians and teachers, to study in his great university at Timbuktu. So next time someone asks you who was the richest man on planet earth, remember to tell them that before Bill Gates, there was Kankan Musa!

‘One Love’: Bob Marley’s Cry for World Unity

Bob Marley
Bob Marley

On February 6th, the world celebrated Sir Bob Marley‘s 70th birthday or earth day. People around the world gathered to commemorate the life of the great Reggae legend. There were lots of live performances and exhibitions in Jamaica, and around the world. From February 1-6, there were five-day celebrations featuring international reggae acts, tribute shows, art and food. All these festivities take us back to Bob Marley’s strong message of unity, oneness, and universality, or ONE LOVE: love for all mankind, love for our fellow brothers, love for ourselves, love for our planet, and above all love for our Creator. Someone said that if we were busy loving, there will be no war, and that is truly Sir Marley’s message: “One Love, One Heart. Let’s get together and feel all right.”

Africa’s Love Anthem: ‘AMI O’ by Ebanda Manfred

'Ami Oh' and its many interpretations
‘Ami O’ and its many interpretations
Coeur
Coeur

In celebration of Valentine’s Day, I would like to talk about one of Africa’s great love songs, ‘AMI O‘. Many songs have made the entire continent shake, but few have had the dimensions of ‘AMI O‘ of Ebanda Manfred. ‘AMI O‘ is to Cameroonian and African music what ‘Guantanamera‘ is to Cuban and Latin music: a world classic. But ‘AMI O‘, ‘AMIO‘, ‘AMIE OH’, or ‘AMI OH’, or ‘AMIYO‘ is first and foremost a love song. It is a declaration of love, a love anthem. It has been reprised by over 20 world class artists among which, Bébé Manga, Papa Wemba, Francis Bebey, Angelique Kidjo, Manu Dibango, Monique Séka, Bisso Na Bisso, Nayanka Bell, Jacky Biho, NaimaHenri Salvador, André Astasié, and so many more.

Ebanda Manfred
Ebanda Manfred

Where did it all start? In 1960, 24-years old Ebanda Manfred fell head over heels in love with a teenage single mother from Yaoundé, Cameroon. The girl, Amié Essomba Brigitte, had to quit school to take care of her child. Madly in love, Ebanda Manfred told her of his feelings, but she told him that she could not start a love relationship until her child was weaned. Finding the wait too long, especially since he had to return to Douala the following year, Ebanda Manfred sang his despair and asked: “Amié, njika bunya so mo, oa mo o ma dubè no, na mba na tondi oa?”. Translation: “Amié, when will you finally believe in my love?” Thus the song “Amié ” was born. It became an instant hit when it came out in 1962. A year later, it was reprised by Francis Bebey. In 1980, the great Bébé Manga made an adaptation which brought her to the international stage, as she won the “Golden Maracas.” The song will be reprised by artists around the world, from the Carribbean to Latin America, and Europe.

Bebe Manga
Bebe Manga

In celebration of Valentine’s day, I live you with this great African love song. In Bébé Manga’s English version, the song clearly states “Amie (friend) oh, you are all I ever hoped for, everything I ever dreamt of, …” So tomorrow, don’t forget to sing AMI O to that special one, that one you longed for, and dreamt of, that special one in your life.

Taytu Betul: the Great Ethiopian Empress who Said ‘NO’ to Colonization

Empress Taytu Betul of Ethiopia
Empress Taytu Betul of Ethiopia

After learning about the origin of the name Addis Ababa, from Empress Taytu Betul‘s visit to its location, I could not help but talk about the Empress herself.  Who was Taytu Betul?

Well, Taytu Betul was Emperor Menelik II‘s third wife and was thereby Empress of Ethiopia.  She was his confidante, a loyal wife, a commander, and a brilliant military strategist.

Taytu Betul (also Taitu Betul), whose name Taytu means Sunshine, was a sunshine for her nation when it was about to fall into the hands of the Italian colonizer.  Perhaps, there would not have been the famous Battle of Adwa on March 1, 1896, which marked the Ethiopian victory against colonialism, without Empress Taytu, for she inspired it.

Emperor Menelik II, of Ethiopia
Emperor Menelik II, of Ethiopia

Empress Taytu Betul was born in Wollo from a Christian and Muslim family.  She had a comprehensive education and was fluent in Ge’ez, the classical Ethiopian language; which was a rare achievement for a woman at the time, as education was mostly reserved for boys.  Taytu was the third of four children in an aristocratic family related to the Solomonic dynasty of Ethiopia.  Her uncle, Dejazmach Wube Haile Maryam, was the ruler of Tigray and much of Northern Ethiopia in the 1840s, and a rival of Emperor Tewodros II.  Her father’s family were the ruling family of Semien province, claiming descent from Emperor Susenyos I.  Her grandfather was Ras Gugsa, a member of the powerful ruling family of Yejju, of Oromo origin, which had ruled as Regents in Gondar during the Zemene Mesafint (“Era of the Princes”).  After four failed marriages, Taytu Betul was married to Emperor Menelik II (he was still King of Shewa at the time) in 1883 in a full communion church service and thus fully canonical and insoluble, which Menelik had not had with either of his previous wives (whom he had divorced).  Their marriage was not just about romance but was also a political marriage sealing alliances with the northern regions of Begemder, Lasta, Semien, and Yeju.  She remained his wife until his death in 1913.

The Battle of Adwa, 1896
The Battle of Adwa, 1896

Empress Taytu was a loyal and respectful wife to her husband Emperor Menelik II.  According to royal historians, she was co-equal with Menelik, who always consulted her prior to making important decisions.  She was the one who pushed him to declare war against Italy at the Battle of Adwa—tearing up the 1889 Treaty of Wuchale between the Ethiopian Empire and Italy, a treaty whose article 17 had two different meanings in Amharic and Italian versions: The Amharic version recognized the sovereignty of Ethiopia and its relationship with Italy as just a diplomatic partnership, while the Italian version made Ethiopia Italy’s protectorate.  The moment that discrepancy was uncovered, Empress Taytu was the first to agitate the hesitant Emperor and other men to stand up for liberty, dignity and against Italian aggression. 

Edition of the Petit Journal of August 1896 titled: "Negus Menelik II at the Battle of Adwa"
Edition of the Petit Journal of August 1896 titled: “Negus Menelik II at the Battle of Adwa”

Empress Taytu, as a military strategist, facilitated the downfall of Italy at the Battle of AdwaShe had her own battalion, which she bravely commanded in the battlefield, fighting in the frontline and motivating men against retreat.  She also mobilized women, both as fighters and nurses of wounded soldiers.   At the Battle of Mekelle, she advised Ras Mekonen to cut off the water supply to the Italians in order to disgorge them from their entrenched and heavily fortified positions at Endeyesus Hill on the eastern part of Mekelle City.  Taytu was also the receiver and analyzer of intelligence information collected by spies, which historians have characterized as of crucial importance to the Ethiopian victory at the battleThis information enabled Menelik to attack the Italians, at a site of his choosing, at Adwa instead of Adigrat, near the Eritrean border where the Italians expected to have a relative logistical advantage.  The Italians were hoping that Menelik would meet them in Adigrat, close to where they had a well-protected military base.

Empress Taytu Betul in Le Petit Journal of March 1896
Empress Taytu Betul in Le Petit Journal of March 1896

Independence and cooperation defined Taytu’s relationship with Emperor Menelik II.  Their marriage was that of equals characterized by trust, respect and reciprocity.  After Menelik was incapacitated due to strokes in 1906, she essentially governed the country, angering all the rivals to the throne.  She was ousted from power in 1910.  After Menelik II’s death in 1913, she was banished to the old palace at Entoto.

Taytu Betul was an authentic Ethiopian leader.  Her deeds at a critical moment in Ethiopian history not only saved Ethiopia from European colonization, but it also paved the way for the decolonization of Africa.  Her advice and action resulted in the defeat of the Italian army at the 1896 Battle of Adwa, a mighty European army defeat at the hands of Africans.  Taytu strongly defended national interests by overcoming challenges both from within and from without.  Just as there was no Menelik II without Taytu Betul, there would have been no Ethiopia without Taytu’s great strength, courage, devotion, and determination. Taytu Betul was truly Ethiopia’s sunshine, and should forever be remembered as one of the greatest empresses of Ethiopia and of Africa as a whole.  Please check out Tadias.com which has outstanding information on this great empress.  Enjoy this video about the Battle of Adwa.

 

 

Thomas Sankara: the Speech he would have given on 15 Oct 1987

Thomas Sankara
Thomas Sankara a Ouagadougou

Here is the complete text of a hand-written speech that the revolutionary Burkina Faso President and African statesman Thomas Sankara was set to deliver on the evening of the day he was assassinated, October 15, 1987.  Enjoy this rare jewel!  The original in French is on ThomasSankara.net, while the translated English version appeared on Pambazuka.

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Dear Comrades,

The Revolution’s prestige, and the confidence with which the masses have devoted themselves, has suffered a serious shock. The consequences are a remarkable decline in enthusiasm for the revolution amongst activists, a serious decrease in the commitment, determination, and mobilization of our grassroots base; finally, distrust and suspicion everywhere and factionalism amongst our leadership.

What are the causes of this?

Burkina Faso
Burkina Faso

There are, on one hand, significant questions which could divide us pertaining to the operating structures and the internal functioning of the CNR based on ideological positions.  On the other hand, there are questions regarding the relationships between the principal actors, as each of us is a leader.  However, as important as ideological and organisational questions are, they are shown to be less important in our current situation.  Indeed, at the soul of any organisation, there is a clash of opposites followed by union of these same oppositesThe unity of these opposites is always academic, it is never absolute; it is both relative and temporary.  “The unity of opposites is consequently an absolute, exactly as development and motion are absolutes”.  This is why balance itself is temporary.  It can be questioned at any time.  It is our responsibility to preserve it as long as possible, to restore it each time it has been threatened or broken.  In the case of organizational and ideological questions, we have benefited each time that someone considered it necessary to raise an opinion different from mine, to defend a position different than mine; you did this with freedom and confidence.  These I have adopted and implemented, along with advice, suggestions, and recommendations. Moreover, resolution of disputes between men is always simple when trust exists.  This means that as long as the revolution is governed by principles, open debate, criticism and self-criticism, it will succeed in resolving any misunderstandings, provided that trust is maintained. Continue reading “Thomas Sankara: the Speech he would have given on 15 Oct 1987”

Poem by Dennis Brutus on Friendship

Dennis Brutus
Dennis Brutus

Friends, today, I want to introduce you to a poem by the great South African author Dennis BrutusDennis Brutus broke rocks next to Nelson Mandela when they were imprisoned together on the notorious Robben Island.  He spent 18 months there.  His crime, like Mandela’s, was fighting the injustice of racism, and challenging South Africa’s apartheid regime.  His weapons were his words: soaring, searing, poetic.  He was banned, he was censored, he was shot.  However, this poet’s commitment and activism, his advocacy on behalf of the poor, never flagged.  Brutus inspired, guided and rallied people toward the fight for justice in the 21st century; his poetry was his way of protesting against the injustices of the apartheid regime and the world, while celebrating the freedoms all men deserved.

The poem below poem is a call to friendship without borders, freedom, love, and peace.  Enjoy!!!

There will come a time
There will come a time we believe
When the shape of the planet
and the divisions of the land
Will be less important;
We will be caught in a glow of friendship
a red star of hope
will illuminate our lives
A star of hope
A star of joy
A star of freedom

by Dennis Brutus

The Return of Steve Biko and Quotes

Steve Biko
Steve Biko

I would like to share with you some quotes by Steve Biko himself.  When I read Biko’s words, I realize that he was a true African leader who wanted good for all; he was really ahead of his time.  I have also added, at the end, a documentary The Return of Biko‘ by Jeff Ogola. Enjoy!

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The greatest weapon in the hand of the oppressor is the mind of the oppressed.” Speech in Cape Town, 1971

It is better to die for an idea that will live, than to live for an idea that will die.

“At the time of his death, Biko had a wife and three children for which he left a letter that stated in one part: “I’ve devoted my life to see equality for blacks, and at the same time, I’ve denied the needs of my family. Please understand that I take these actions, not out of selfishness or arrogance, but to preserve a South Africa worth living in for blacks and whites.”

“The basic tenet of black consciousness is that the black man must reject all value systems that seek to make him a foreigner in the country of his birth and reduce his basic human dignity.” From Steve Biko’s evidence given at the SASO/BPC trial, 3 May 1976

“In time, we shall be in a position to bestow on South Africa the greatest possible gift – a more human face.

'I Write What I Like' by Steve Biko
‘I Write What I Like’ by Steve Biko

Merely by describing yourself as black you have started on a road towards emancipation, you have committed yourself to fight against all forces that seek to use your blackness as a stamp that marks you out as a subservient being.” The Definition of Black Consciousness, I Write What I Like, 1978.

Black man, you are on your own.”  Slogan coined by Steve Biko for the South African Student’s Organization, SASO. 

We do not want to be reminded that it is we, the indigenous people, who are poor and exploited in the land of our birth. These are concepts which the Black Consciousness approach wishes to eradicate from the black man’s mind before our society is driven to chaos by irresponsible people from Coca-cola and hamburger cultural backgrounds.”  The Quest for a True Humanity, I Write What I Like, 1978.

 

“It becomes more necessary to see the truth as it is if you realize that the only vehicle for change are these people who have lost their personality. The first step therefore is to make the black man come to himself; to pump back life into his empty shell; to infuse him with pride and dignity, to remind him of his complicity in the crime of allowing himself to be misused and therefore letting evil reign supreme in the country of his birth.  We Blacks, I Write What I Like, 1978.
Black Consciouness Movement flag
Black Consciouness Movement flag

You are either alive and proud or you are dead, and when you are dead, you can’t care anyway.”  On Death, I Write What I Like, 1978

Black Consciousness is an attitude of the mind and a way of life, the most positive call to emanate from the black world for a long time. Its essence is the realization by the black man of the need to rally together with his brothers around the cause of their oppression – the blackness of their skin – and to operate as a group to rid themselves of the shackles that bind them to perpetual servitude.  The Quest for a True Humanity, I Write What I Like, 1978.

There are also several articles on this African martyr: articles by South African History, The Independent, Time, and Black Agenda Report.  Enjoy!!!

Steve Biko: An Outstanding Leader and the Black Consciousness Movement

Steve Biko
Steve Biko

The month of September is sadly quite a busy month when it comes to African martyrs: many of our martyrs were either born or assassinated that month, Ruben Um Nyobe, Agostinho Neto, Steve Biko, Amilcar Cabral, Kwame Nkrumah, Gamal Abdel Nasser, to name just a few.  Today, I have decided to talk about Steve Biko.

Steve Biko, is known to many as the outspoken leader of the Black Consciousness (BC) movement.

Stephen (Steve) Bantu Biko was born on 18 December 1946 in Ginsberg township, in present-day Eastern Cape, in South Africa.  Biko was the third of 4 children, and belonged to the Xhosa ethnic group.  He was orphaned at the tender age of 4, after his father passing.  As a child, he attended Brownlee Primary School and Charles Morgan Higher Primary School.  He was sent to Lovedale High School in 1964, a prestigious boarding school in Alice, Eastern Cape, where his older brother Khaya had previously been studying.  During the apartheid era, with no freedom of association protection for non-white South Africans, Biko would often get expelled from school for his political views.  He was influenced by Frantz Fanon‘s and Aime Cesaire‘s works, and like Fanon, he first started as a medical doctor, before turning to politics.

Black Consciouness Movement flag
Black Consciouness Movement flag

Steve Biko was not alone in forging the Black Consciousness Movement.  He was nevertheless its most prominent leader, who with others, guided the movement of student discontent into a political force unprecedented in the history of South Africa.  Can you imagine that: all alone they created a force that scared the apartheid regime, and started it on its end.  Biko and his peers were responding to developments that emerged at the height of the hideous apartheid regime.  This culminated with the Soweto uprising of 1976.

The Black Consciousness movement argued that blacks had to overcome the feelings of inferiority instilled into them by 300 years of domination, the “oppression within“, before they could deal with whites as equals. “It [BC] seeks to infuse the black community with a new-found pride in themselves, their efforts, their value systems, their culture, their religion and their outlook to life,” Biko explained in 1971.

Steve Biko was a very charismatic, tall, handsome, and articulate man.  Once asked by a judge “Why do you call yourself black, when your skin is brown?” Biko replied “Why do you call yourself white, when you are actually pink?” – he bore himself with rare confidence that showed no hint of any “oppression within.”  Remember his famous phrase “Black is Beautiful“, which was an inspiration to the civil rights movement in the USA, and to many other movements across the globe.

'I Write What I Like' by Steve Biko
‘I Write What I Like’ by Steve Biko

In order for Black People to achieve their freedom being political and economical, Steve Biko believed that they should rally together; hence he said:  The realization by the Black man of the need to rally together with his brothers around the cause of their oppression – the blackness of their skin – and to operate as a group in order to rid themselves of the shackles that bind them to perpetual servitude.

Biko understood that the system we are facing is not just a matter of laws and policies that suppresses us, he knew that the system seeks to undermine our thinking, ideas, values  and beliefs, thus he said:  The most potent weapon in the hands of the oppressor is the mind of the oppressed.

On 18 August 1977, Steve Biko was arrested at a police roadblock under the Terrorism Act No 83 of 1967 and interrogated by officers of the Port Elizabeth security police including Harold Snyman and Gideon Nieuwoudt.  This interrogation took place in the Police Room 619 of the Sanlam Building in Port Elizabeth.  The interrogation lasted twenty-two hours and included torture and beatings resulting in a coma.  He suffered a major head injury while in police custody at the Walmer Police Station, in a suburb of Port Elizabeth, and was chained to a window grille for a day.  On 11 September 1977, police loaded him in the back of a Land Rover, naked and restrained in manacles, and began the 1100 km drive to Pretoria to take him to a prison with hospital facilities.   He died shortly after arrival at the Pretoria prison, on 12 September.  The police claimed (and the apartheid government) his death was the result of an extended hunger strike, but an autopsy revealed multiple bruises and abrasions and that he ultimately succumbed to a brain hemorrhage from the massive injuries to the head, which many saw as strong evidence that he had been brutally clubbed by his captors.

'Cry Freedom' the movie on Steve Biko
‘Cry Freedom’ the movie on Steve Biko

Biko believed in the unity of the oppressed, he also knew we should constantly educate each other on what is happening in our society.  Today, Biko’s views could be applied to almost every society where there are oppressed people, oppressed by unfair laws, unfair economics that favors extreme greed, forced into poverty, and dehumanization.

I watched the movie Cry Freedom which talked about Biko’s life, and also about his journalist friend Donald Woods who published the pictures of Biko’s beaten body after his death, thus showing to the entire world that he had been brutally murdered by the South African police.  I do recommend it, the main actor is none other than Denzel Washington.  To learn more about Biko, you could read his own book I Write What I Like, or the autobiographic book Biko by Donald Woods.  In 1980 the singer Peter Gabriel had a world hit titled Biko, in which he sang: “You can blow out a candle/ But you can’t blow out a fire/ Once the flames begin to catch/ The wind will blow it higher.”  Let us all, keep the fire of Steve Biko. Enjoy this rare video of Steve Biko talking!

 

 

Fasilides Castle: a Pure Gem of Ethiopia’s Rich History

Map of Ethiopia
Map of Ethiopia

Throughout human history, every great empire has had great builders and phenomenal architectural fits: The Romans with Emperor Titus who built the Colosseum, the Inca builders of Machu Picchu, the Egyptian pharaohs with the great sphinx of Giza and the great pyramids, the first emperor of China and the Ming dynasty with the Great Wall of China.  However, few today know of the Abyssinian builder Fasilides and his work.

Ethiopian Emperor Fasilides is one of most remarkable rulers of Abyssinia, the ancient name of Ethiopia.  A member of the Solomonic dynasty, emperor Fasilides ruled over Abyssinia from 1632 to 1667.  He founded the city of Gondar in 1636 which became the capital of Abyssinia, in the northwestern part of Ethiopia.  He was known as Alam Sagad or ‘To whom the world bows.’  Today, thousands bow to his work, and his footprints have marked the history of Ethiopia forever.

Fasilides' Castle
Fasilides’ Castle

Among the buildings he constructed there are the beginnings of the complex later known as Fasil Ghebbi, as well as some of the earliest of Gondar’s famous 44 churches: Adababay Iyasus, Adababay Tekle Haymanot, Atatami Mikael, Gimjabet Maryam, Fit Mikael, and Fit Abbo.  Fasilides is also credited with building seven stone bridges in Ethiopia.  Sebara Dildiy (broken bridge in Amharic) was one of two stone bridges built over the Blue Nile River during Fasilides reign.  Sebara Dildiy was later repaired during Emperor Menelik II‘s reign in 1901.  Emperor Fasilides also built the Cathedral Church of St Mary of Zion at Axum.  Fasilides’ church is known today as the “Old Cathedral” and stands next to a newer cathedral built by Emperor Haile Selassie.

Fasilides' Bath
Fasilides’ Bath

When King Fasilides made Gondar the seat of his empire in 1636, he constructed a palace that would eventually sprawl into a large complex, as succeessors added their own buildings to the compound.  Set in the heart of what is now one of Ethiopia’s largest cities, the palace complex is a mixture of beautifully-preserved period architecture with European and Moorish influences, and rambling ruins.  Interestingly, Fasilides’ Castle itself is the best-preserved, with its lower halls, reservoirs and steam-baths, remains of kitchens and stables, and even enclosures for leopards and lions that used to grace the grounds.  The castle is located near the city center.  Its structure is purely made of stone.  Today, Fasilides baths are used for baptism during the Timkat festival, the epiphany, in late January; they are only filled with water for the festival.  The castle can be found in Gondar, Amhara regionFasilides’ Castle is definitely a representation of Ethiopia’s great and rich history.

 

Habib Benglia and French Theater

Habib Benglia on a set
Habib Benglia on a set

Today, I would like to talk about Habib Benglia, one of the pioneers of Black theater and cinema in France.

Habib Benglia was an African artist born in Oran, Algeria, on 25 August 1895.  He was originally from Mali, and lived in Timbuktu throughout his childhood.  He then moved to France for studies.  After high school, he wanted to become an agricultural engineer.  However, one evening in 1913, at the Café Riche, while describing his love for theater and having fun with his friends reciting prose, he was noticed by Régine Flory who presented him to Cora Lapercie.  That same year, she made him star at the Renaissance in Le Minaret of Jacques Richepin, then he went on to play in Aphrodite by Pierre Frondaie, and L’Homme riche of Jean-José Frappa and Dupuy-Mazuel.

Sculpture of Habib Benglia by Evariste Jonchere (Les Amis du Musee des annees 30)
Sculpture of Habib Benglia by E. Jonchere (Source: Les Amis du Musee des annees 30)

The first world war of 1914 started, and Benglia joined the French troops as many other skirmishers (tirailleurs).  Demobilized just before the end of the war, he resumed theater with Firmin Gémier, in L’Oedipe Roi de Bouhélier.  In 1923, he became the first black actor to star in the main role at the national French theater at the age of 27: it was in The Emperor Jones whom Gaston Baty put in scene at the Odéon.  Benglia always dreamt of seeing Black theater unveiled in France, which would reveal evidence of an African/Black art.  He also wrote a few plays: one of them, Un soir à Bamako (An evening in Bamako) was broadcasted in 1950.  He passed away in 1960 after having starred in over hundreds of plays.

Benglia in "Dainah la Metisse" (source: www.filmweb.pl)
Poster of “Dainah la Metisse” (source: filmweb.pl)

Benglia was a versatile and prolific actor, who was confined to secondary and codified roles in colonial cinema, and as a result was largely ignored by critics.  This was both the fate of many actors (particularly Black actors in his time), overshadowed by stars, and the result of prejudice and racism.  Benglia’s roles were always very traditional.  Colonial cinema, both as propaganda or exotic entertainment, made proficient use of his abilities.  Originally a conveyor of stereotypes, this genre gradually evolved toward more truth and realism, but never gave Benglia the opportunity to rise to stardom.  A few plays where Benglia held the main role was Dainah la Métisse, then Sola, and Les Mystères de Paris, as well as in les Enfants du Paradis.