Given that we talked about Ladysmith Black Mambazo and Joseph Shabalala, I thought it befitting to celebrate this year’s valentine’s day, by introducing you to “Hello My Baby” by Ladysmith Black Mambazo. I particularly love the beginning of the song, the harmony, and the message. When the singer says ‘come along, come along, come along, to kiss me,‘ one can clearly hear the sound of the kisses… amazing! Impressive when you think that this is all done a cappella! So for this Valentine’s day, ring up your baby… and send them those kisses you can hear so loudly in the song … and if there are no Valentine one… send kisses out to the world, plenty of them!
Even though I love the original version better, which I have included here, I have also added the recent re-make Ladysmith Black Mambazo did with the late giant Oliver Mtukudzi which is also outstanding.
A few years ago, I had the privilege to attend a concert offered by Ladysmith Black Mambazo. To say that I am a fan is an understatement… I have always danced to the tunes of Ladysmith Black Mambazo. It was special in so many ways because I saw the entire group including their leader Joseph Shabalala, I heard their harmony which had been part of my life, and I also danced to some South African music (extra, extra bonus)… For those who are not familiar with the group, Ladysmith Black Mambazo is an a capella group of male vocalists founded in the early 1960s by Joseph Shabalala in South Africa. The group fuses indigenous Zulu songs and dances with South African isicathamiya, an a capella tradition that is frequently accompanied by a soft, shuffling style of dance. The name of the group can be broken down as: Ladysmithfor the city where they grew up in KwaZulu-Natal, South Africa; Blackfor the black oxen who is the strongest animal on the farm; and Mambazowhich is Zulu for an axe which represents the ability for the group to cut down competition.
They were introduced to the global stage by Paul Simon with their collaboration on his 1986 Graceland album. They are seen dancing and singing in the last scene of Michael Jackson‘s movie ‘Moonwalker,’ where their entrancing song goes as, “Come and see. The moon is dancing.” Not to be in awe of their amazing songs, the harmony, their voices, is truly not possible.
It is with great sadness that I heard of the passing of the founder of Ladysmith Black Mambazo, Joseph Shabalala. I am just so glad that his legacy, the Ladysmith Black Mambazo, leaves on, and that his voice will still serenade countless people around the globe. Long Live Joseph Shabalala’s legacy! Long Live Ladysmith Black Mambazo!
“People in the United States [the West] still have a ‘Tarzan’ movie view of Africa. That’s because in the movies all you see are jungles and animals . . . We [too] watch television and listen to the radio and go to dances and fall in love.” Miriam Makeba
Today, Oliver Mtukudzi, one of Zimbabwe’s most renowned musicians, has changed his plane of existence. He passed away to join his ancestors, after over a four-decade career. He, like Bra Hugh, Hugh Masekela, was a giant of African music, particularly Afro-Jazz. Just like Bra Hugh, he passed away on the same day, a year later.
To his fans he was affectionately known as Tuku. With his deep voice, he came to prominence in the 1970s as one of the voices of the revolution fighting white-minority rule.
The singer and guitarist mixed several different styles to create his own distinctive Afro-jazz sound, known to his fans as “Tuku Music“.
In 2018, Mtukudzi spoke to Eyewitness News about why he chose to stay in the music business: “My music is about touching the hearts… never mind how old. If a baby is born today, she/he must be able to relate to my music.”
I live you here with one of my favorite from Tuku: Neria.
I recently heard about a speech of Emperor Haile Selassie I incorporated into a song by none other than the great Sir Bob Marley. I was astonished as, somehow in my ‘young’ mind, I had thought it a new occurrence with the likes of Beyoncé who incorporated author Chimamanda Ngozi Adichie‘s speech into her song. In this song, WAR, Bob Marley adapted the speech given by Emperor Haile Selassie I at the United Nations. It is deep, and it is revolutionary. So today when you see other singers doing it, know that Sir Marley had done it before them.
Here is the part of Haile Selassie’s speech put to music by Marley in his original song “War” (Bob Marley slightly modified the original words, changing each “that until” to “until” and added the word “war” several times):
That until the philosophy which holds one race superior and another inferior is finally and permanently discredited and abandoned; That until there are no longer first-class and second-class citizens of any nation; That until the color of a man’s skin is of no more significance than the color of his eyes; That until the basic human rights are equally guaranteed to all without regard to race; That until that day, the dream of lasting peace and world citizenship and the rule of international morality will remain but a fleeting illusion, to be pursued but never attained; And until the ignoble and unhappy regimes that hold our brothers in Angola, in Mozambique and in South Africa in subhuman bondage have been toppled and destroyed; Until bigotry and prejudice and malicious and inhuman self-interest have been replaced by understanding and tolerance and good-will; Until all Africans stand and speak as free beings, equal in the eyes of all men, as they are in the eyes of Heaven; Until that day, the African continent will not know peace. We Africans will fight, if necessary, and we know that we shall win, as we are confident in the victory of good over evil.– Haile Selassie I
Here are the lyrics from the Bob Marley and the Wailers on the album Rastaman Vibration:
Until the philosophy which hold one race superior / And another / Inferior / Is finally / And permanently / Discredited / And abandoned / -Everywhere is war – / Me say war.
That until there no longer / First class and second class citizens of any nation / Until the colour of a man’s skin / Is of no more significance / than the colour of his eyes / – Me say war.
That until the basic human rights / Are equally guaranteed to all, / Without regard to race / – Dis a war.
That until that day / The dream of lasting peace, / World citizenship / Rule of international morality / Will remain in but a fleeting illusion to be pursued, / But never attained / – Now everywhere is war – / War.
And until the ignoble and unhappy regimes / that hold our brothers in Angola, / In Mozambique, / South Africa / Sub-human bondage / Have been toppled, / Utterly destroyed / – Well, everywhere is war – / Me say war.
War in the east, / War in the west, / War up north, / War down south – / War – war – / Rumours of war. / And until that day, / The African continent / Will not know peace, / We Africans will fight – we find it necessary / – And we know we shall win / As we are confident / In the victory
Of good over evil -/ Good over evil, yeah! / Good over evil – / Good over evil, yeah! / Good over evil – / Good over evil, yeah!
Emperor Selassie I gave the “War” speech on October 4, 1963, calling for world peace at the 1963U.N. Conference in New York City. This historical speech was spoken a few weeks after the Organization of African Unity (OAU) was founded in the Ethiopian capital city Addis Ababa where Selassie chaired a summit meeting gathering almost every African head of state (The King of Morocco had declined the invitation).
This U.N. speech resounded even louder as Haile Selassie I had made a name for himself on the international scene in 1936, when he spoke at The League of Nations in Geneva. It was there that Selassie warned the world that if member state Ethiopia was not militarily supported by other member states to fight the fascist Italian invasion of his country then taking place, as the League of Nations statute guaranteed, the League would then cease to exist as a matter of fact and the rest of the member states were to suffer the same fate as his country. Three years later World War II broke out. This visionary speech granted Selassie much respect around the world, eventually leading to British military support, which helped freeing his country in 1941. Addressing the world again in 1963, Selassie’s words bore full weight. In picking this utterance for lyrics, Bob Marley thus projected two dimensions of the Ethiopian Emperor: the head of state as well as the Living God Rastafarians see with him.
Sadly today many developing countries feel that the UN, the descendant of the League of Nations, is a puppet organization, an instrument used by developed countries to bully, and plunder developing countries. So Selassie’s speech and Marley’s song still ring true today!
In order to remember the 16 June 1976 Soweto uprising, I decided to share with you these images and song from the movie Sarafina! which focused on the 1976 Soweto riots. It is simply beautiful! The character says: “They fear you because you are young, they fear you because you are the future; How fearful they must be that they shoot you children? How powerful you must be that they fear you so much. You are powerful because you are the generation that will be free. The violence, the beatings, the torture, the killings, all this is the bad pain of our free nation. … Freedom is coming tomorrow!” In essence, this is a message for all the youth around the world: You are the future, you are strong, take hold of it, and do the best!
Sibo Bangoura is a griot from Guinea, West Africa, now living in Australia. In this TEDx talk, he shares the traditions of his musical heritage with people from all over the world. While playing the Kora, a musical instrument from West Africa, Sibo sang a traditional West African song, Nan Fulie, about the importance of the Griot people – the West African musicians, storytellers, custodians and teachers of tradition through music and dance. Enjoy!
Africa has a strong, deep, and rich oral tradition. In many countries across West Africa, this tradition is often preserved by the griots, who are historians, storytellers, praise singers, poets, and/or musicians. Often, the griot is the preserver of the history of a family, a clan, and sometimes of the nation. This is done by narrating how the family/clan/tribe/nation was founded and its outstanding achievements. In essence, the griot is a repository of the oral tradition, and is often seen as a societal leader due to his or her traditional position as advisor to kings and leaders. The griot’s praises centers around the leader of the clan, of the tribe, and of the nation. Thus, great kings throughout history had griots: Sundiata Keita, Kankan Musa, and many others.
Each aristocratic family of griots accompanied a higher-ranked family of warrior-kings or emperors, called jatigi. Moreover, most villages and prominent clans also had their own griot, who told tales of births, deaths, marriages, battles, hunts, affairs, and hundreds of other things.
The Cameroonian author Francis Bebey writes about the griot in his book African Music, A People’s Art (Lawrence Hill Books): “The West African griot … knows everything that is going on… He is a living archive of the people’s traditions… The virtuoso talents of the griots command universal admiration. This virtuosity is the culmination of long years of study and hard work under the tuition of a teacher who is often a father or uncle. The profession is by no means a male prerogative. There are many women griots whose talents as singers and musicians are equally remarkable.”
In Mande society, the jeliwas an historian, advisor, arbitrator, praise singer (patronage), and storyteller. Essentially, these musicians were walking history books, preserving their ancient stories and traditions through song. Their inherited tradition was passed down through generations. Their name, jeli, means “blood” in Mandinka language. They were said to have deep connections to spiritual, social, or political powers as music is associated as such. Speech is said to have power as it can recreate history and relationships.
In addition to being singers and social commentators, griots are often skilled musicians. Their instruments include the kora, the khalam (also spelled xalam), the goje (called n’ko in the Mandinka language), the balafon and the ngoni.
Griots can be found throughout Africa and bear different names from country to country. A world-renowned singer and grammy award winner descending from a family of griots is Senegalese singer, Youssou N’Dour. Below is the trailer to the movie Griot. Enjoy!