The Aba Women’s War of 1929: The Anti-Colonial Revolt Led by Women

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The Aba Women’s War (Source: Pulse.Ng)

For the 2020 International Women’s day, March 8th, I thought very appropriate to talk about the Aba Women’s War, also known as the Women’s War of 1929, or the Aba Women’s Riots (name given by the British to the movement to minimize its effect), or the Aba Women’s Rebellion. This is thought to be the first anti-colonial revolt organised by women to redress social, political and economic grievances in Nigeria, and possibly in West Africa. The Women’s War of 1929 lasted almost 2 months and encompassed the Owerri and Calabar provinces, an area with over 2 million inhabitants. Over 25,000 women came out to protest. This was a union of women from six ethnic groups: Igbo (the majority), Ibibio, Andoni, Orgoni, Bonny, and Opobo. As a result, in 1930 the colonial government was forced to abolish the system of warrant chieftains, and appoint women to the Native Court system. These reforms have been seen as a prelude to the emergence of mass African anti-colonial nationalism.

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International Women’s Day

Many African societies were and still are matriarchal in nature. However, with the contact with the colonizers, their cultures have been altered to reflect that of the oppressor which is patriarchal, or to be a mixture of the two. Colonialism altered the position of various Nigerian women in their societies. Women traditionally were allowed to participate in the government and held a major role in the market. Men and women also worked collaboratively in the domestic sphere, and were recognized to both have important individual roles. Women also had the privilege of participating in political movements. The British, coming from a patriarchal system, saw these practices as “a manifestation of chaos and disorder”, and so they attempted to create political institutions which mirrored theirs (very typical of Europeans). While they considered the political institutions headed by Igbo men, the British ignored those of the women, effectively shutting them out from political power. 

The event that ultimately led to the war was direct taxation. In April 1927, the British colonial government in Nigeria took measures to enforce the Native Revenue (Amendment) Ordinance. Direct taxation on men was introduced in 1928 without major incidents. Women feared that they will be next.

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Nwanyeruwa (Source: Guardian.Ng)

On the morning of November 18, 1929, a dispute between a woman known as Nwanyeruwa and a tax collector by the name of Mark Emereuwa started in Oloko in Owerri province; the two exchanged angry words, and Emeruwa grabbed Nwanyeruwa by the throat. After this, using the traditional methods of communication, i.e. sending a palm-leaf, which is a symbol of trouble and a call for help, all the women in the neighborhood were rounded up. From the whole countryside women poured into Oloko and proceeded according to custom to “sit” upon the man who had tried to tax Nwanyeruwa. “Sitting on a man” is a local practice of censoring men through all night song and dance ridicule. Thousands of women congregated at the Native Administration centers in Calabar and Owerri as well as smaller towns to protest both the warrant chiefs and the taxes on the market women. The women chanted and danced, and in some locations forced warrant chiefs to resign their positions. The women also attacked European-owned stores and Barclays Bank and broke into prisons and released prisoners. They also attacked Native Courts run by colonial officials, burning many of them to the ground. Colonial Police and troops were called in; they fired into the crowds that had gathered in Calabar and Owerri, killing more than 50 women and wounding over 50 others. Until the end of December 1929, when troops restored order, ten native courts had been destroyed, a number of others were damaged, houses of native court personnel were attacked, and European factories at Imo RiverAba, Mbawsi, and Amata were looted. By 10 January 1930, the revolt was regarded as crushed.

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Aba station in the 1920s (Source: Libcom.org)

In the end, it is said that at least 25,000 women were involved in these revolts  The women’s protests were carried out on a scale that the British colonial state had never witnessed in any part of Africa. The Aba Women’s War of 1929 prompted the colonial authorities to drop their plans to impose a tax on the market women, and to curb the power of the warrant chiefs. The women’s uprising is seen as the first major challenge to British authority in Nigeria and West Africa during the colonial period. Women were not just fighting for themselves, but also for the men who were falling under the unjust colonial tax system.

So every time we celebrate the International Women’s Day, we need to remember the Aba Women’s War of 1929 in Nigeria which was a strong message to the dominating colonial system that women will not be oppressed; that women’s voices needed to be heard, and most importantly that women too have power!

‘Afro-optimism’ is on the Rise among Continent’s Youth

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African Woman

Now let’s end the week with a dose of optimism. Despite all the hardships endured, African youth are still hopeful and optimistic. Enjoy this article from the Guardian!

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Young people across Africa are confident that the continent is heading for an era of success fuelled by technology and entrepreneurship, according to a new survey.

The Africa Youth survey, which claims to be the largest of its kind, said there is growing belief in the concept of “Afro-optimism”, fighting persistently negative stereotypes of the continent.

Though most people interviewed were dissatisfied with the state of their own country, almost half believed the continent as a whole was in a healthier state than previously, and two-thirds thought they were living through a transformative “African century”.

… “We have found a youth that refuses to shy away from the very real challenges of Africa, that is honest about what needs to be done and what their role has to be to achieve this – and they are overwhelmingly keen to make that difference.

The survey covered 14 countries, and included 4,200 interviews with young people aged between 18 and 24.

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Map of Africa

… Those surveyed had strong opinions about the importance of technology and business, with 81% saying they believed technology could unlock the continent’s potential.

… Commenting on the report, Rosebell Kagumire, editor of the website AfricanFeminism, said … “When we see ourselves as African, as a people, and what we have achieved together and what we have survived together, that makes a better picture,” she said. “It’s a bigger picture. We are looking at African people, really thinking outside the colonial construct.”

She added, however, that the idea of Afro-optimism was often simplistic, painting a picture of “happy Africans”. …

The biggest concerns were corruption, the creation of new jobs for the continent’s booming young population, and peace and security.

Kagumire pointed out that young people were often disaffected by politics, and women, in particular, felt discriminated against in the corporate world. “Even when people are optimistic, it’s pegged to the realities.”

Kenyan Music Teacher Makes His own Trombones!

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Flag of Kenya

Meet Dan Abisi, a Kenyan music teacher who makes his own trombones from scratch. I was moved by his love and passion for music which has made him consider cheaper alternatives such as building his own trombone, and thus making it widely available in Kenya. Given that in Kenya, and probably in many African countries, there are very few shops selling these brass instruments (and they are not cheap!), manufacturing it locally is definitely a winner. I don’t know what it takes to manufacture a musical instrument, but I bet spending hours trying to make it sound right is important. Kudos to Dan Abisi who has been making his own trombones and sharing his love of music and the instrument with local Kenyan children!

Enjoy his interview with the BBC!

Proverbe sur le voleur / Proverb on the Thief

poule
Poule / Hen

Où la poule a gratté longtemps, elle laisse une plume (proverbe Ruandais – Rwanda). – Un voleur laisse toujours derrière lui quelque trace.

Where the hen has scratched for a long time, she leaves a feather (Rwandan proverb – Rwanda). – A thief always leaves behind a clue.

The French Capture of the Tata of Sikasso on May 1, 1898

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The tata of Sikasso, illustration by Édouard Riou published in Du Niger au golfe de Guinée, Hachette, 1892, by L.G Binger, p. 95

In 1898, the French colonial forces attacked the Tata of Sikasso which had resisted the tireless assaults of Samori Touré and his army for 15 months a decade earlier. Despite strong resistance from Babemba Traoré and his people, they could barely resist the French canons and barbary, and succumbed on May 1, 1898.  As always, the French used treachery: the French colonel Marie Michel Alexandre René Audéoud wanted to install a garrison at Sikasso; but Babemba Traoré flatly refused. This resulted in a war between the French colonial forces and the people of Sikasso, which lasted 2 days. In the end, Babemba Traoré, the king, ended his life, abiding by the famous Bamanankan saying “Saya ka fisa ni maloya ye” (literally: death is preferable to shame). The city was then ransacked and plundered.

Below is an account of the barbary of the French colonel Audéoud and his men after their victory in Sikasso. The original in French can be found here on Jacques Morel’s page; the translation to English is brought to you by Dr. Y., Afrolegends.com .

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Monument of Tieba Traoré in Sikasso (Source: Wikipedia)

In April 1898, the colonel Audéoud who is looking for a boost for his promotion, sends captain Morisson demand from Babemba, Tieba’s successor, the “Fama” of Sikasso (in modern-day Mali), and ally – imprudent – of the French in their war against Samori, the establishment of a French garrison in his capital. Babemba refuses. It is war, and the siege of Sikasso where violent counter-attacks of the besieged repeatedly endanger the French troops. But with only three remaining enclosures still standing after resisting for fifteen months to Samori, “the fortress does not last two days when faced with modern artillery,” says Gilbert Comte.

Sikasso resists street by street. A French officer, taking part in the capture of Sikasso, describes the city as such:

“After the siege, the assault. Babemba kills himself. We give the order to plunder. Everything is taken or killed. All the captives, roughly 4000, are herded together.

The colonel [Audéoud] starts the distribution. He himself used to write in a notebook, then gave it up saying, “Share this among yourselves!”. The sharing took place with arguments and blows. Then back on our way! Each European is given a wife of his choice… On our way back we did intervals of forty kilometers with these captives. Children and all those who are tired are killed with the butt of the gun and the bayonet…

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Monument of Babemba Traoré in Sikasso (Source: Face2FaceAfrica.com)

The corpses were left by the roadsides. A woman is found crouching. She is pregnant. We push her with the butt of the gun. She gives birth standing while walking. Has cut the umbilical cord and abandoned the child without looking back to see whether it’s a boy or a girl.

During those intervals, the men requisitioned on the way to carry millet stay five days without rations; receive fifty strokes of rope if they take a handful of the millet they are carrying. 

The sharpshooters got so many captives that it was impossible to house and feed them.”

Sources: P. Vigné d’Octon, La Gloire du sabre, Paris, Flammarion, 1900; cité par Jean Suret-Canale, Afrique Noire, Occidentale et Centrale, Éditions sociales, 1968, page 274-275; Gilbert Comte, L’empire triomphant, Denoël, 1988, page 85-86.

The Tata of Sikasso: an African Fortifying Wall

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The tata of Sikasso, illustration by Édouard Riou published in Du Niger au golfe de Guinée, Hachette, 1892, by L.G Binger, p. 95

Have you ever heard about the Tata of Sikasso or Sikasso Tata, a fortifying wall built in Mali which sustained attacks by some of the greatest conquerors of its time, including none other than the great Samori Touré ? and which was destroyed by the French colonial army ? This structure was probably stronger than some forts found in Europe. This defensive wall is quite reminiscent of the Great Wall of China.

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Monument of Tieba Traore in Sikasso (Source: Wikipedia)

The Tata of Sikasso, locally known as Tarakoko, is a fortress built during the reign of King Tieba Traoré between 1877 and 1897, in modern Mali. Tieba Traoré, whose mother came from Sikasso, became King of the Kénédougou Empire and moved its capital to the city of Sikasso. He established his palace on the sacred Mamelon hill and constructed a tata or fortifying wall to defend against the attacks of both the Malinke conqueror Samori Touré and the French colonial army. The city withstood a long siege from 1887 to 1888 but fell to the French in 1898. This fortified wall was reinforced by Babemba Traoré, Tieba Traoré’s brother, who had succeeded him as king.

The Tata of Sikasso was built for the protection of the city, in a military style. It used to extend through an area of 41 hectares, with its walls reinforced with the addition of earthen walls, bars, and alternate stone beds; the intervals of which were filled with ferrous gravel, earth, and stones. At the time of Samori Touré’s unsuccessful siege, which lasted 15 months from March 1887 to June 1888, the tata had three concentric enclosures.

The exterior of the tata was 9 km long, 6 m (∼20 ft) wide at the base and 2 m (∼7 ft) high at the summit. Its height varies between 4 to 6 m.

Samori
Samori Touré

The intermediary tata walls were not as big, and also not as wide. Those were meant for merchants, soldiers and nobles.

The inner enclosure encircled the Dionfoutou, which was the part of the city inhabited by the king and his family.

The fortress is still visible today in the actual landscape of the city of Sikasso in neighborhoods such as Mancourani, Medina, Wayerma, Bougoula city and Fulasso. Seven monuments, in the shape of doors, have been built with modern materials on the site of the passages of yesteryear to preserve their memory.

The Tata of Sikasso has been inscribed in the UNESCO World Heritage Tentative list: « Le Tata de Sikasso ».

Stolen 18th Century Crown Returned to Ethiopia

Ethiopian Crown 18th Century
The crown is currently being stored in a highly secured facility in the Netherlands (Source: BBC/AFP/Getty)

Following our article back in October of last year, 18th Century Ethiopian Crown to be Returned Home from Netherlands, it is with great joy that we announce the official return of the crown to Ethiopia. Below is from the BBC.

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The Ethiopian government has received an 18th Century crown that had been stolen then hidden in a flat in the Netherlands for 21 years.

The crown is thought to be one of just 20 in existence. It has depictions of Jesus Christ, God and the Holy Spirit, as well as Jesus’ disciples, and was likely gifted to a church by the powerful warlord Welde Sellase hundreds of years ago.

Ethiopian Sirak Asfaw, who lives in the Netherlands, discovered the crown in the suitcase of a visitor he was hosting.

Upon realising that it was stolen he held onto it until 2018 when Prime Minister Abiy Ahmed was elected to office. He then reached out to art historian Arthur Brand and Dutch police to help keep it safe until its return home to Ethiopia.

On Thursday, Mr Abiy tweeted photos of him receiving the crown from a delegation that included Dutch Minister for Foreign Trade and Development Cooperation Sigrid Kaag.

Proverbe malgache sur l’ingratitude / Malagasy Proverb on Ingratitude

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Pirogue / canoe

Ne repoussez pas du pied la pirogue qui vous a aidé à traverser la rivière (proverbe malgache – Madagascar).

Do not push away the canoe that helped you cross the river (Malagasy proverb – Madagascar).

Happy Valentine’s Day 2020

A box of Valentine's day chocolate
A box of Valentine’s day chocolate

Given that we talked about Ladysmith Black Mambazo and Joseph Shabalala, I thought it befitting to celebrate this year’s valentine’s day, by introducing you to “Hello My Baby” by Ladysmith Black Mambazo. I particularly love the beginning of the song, the harmony, and the message. When the singer says ‘come along, come along, come along, to kiss me,‘ one can clearly hear the sound of the kisses… amazing! Impressive when you think that this is all done a cappella! So for this Valentine’s day, ring up your baby… and send them those kisses you can hear so loudly in the song … and if there are no Valentine one… send kisses out to the world, plenty of them!

Even though I love the original version better, which I have included here, I have also added the recent re-make Ladysmith Black Mambazo did with the late giant Oliver Mtukudzi which is also outstanding.

Ladysmith Black Mambazo and Joseph Shabalala

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Ladysmith Black Mambazo with its leader Joseph Shabalala at the center (Source: US.Napster.com)

A few years ago, I had the privilege to attend a concert offered by Ladysmith Black Mambazo. To say that I am a fan is an understatement… I have always danced to the tunes of Ladysmith Black Mambazo. It was special in so many ways because I saw the entire group including their leader Joseph Shabalala, I heard their harmony which had been part of my life, and I also danced to some South African music (extra, extra bonus)… For those who are not familiar with the group, Ladysmith Black Mambazo is an a capella group of male vocalists founded in the early 1960s by Joseph Shabalala in South Africa. The group fuses indigenous Zulu songs and dances with South African isicathamiya, an a capella tradition that is frequently accompanied by a soft, shuffling style of dance. The name of the group can be broken down as: Ladysmith for the city where they grew up in KwaZulu-NatalSouth Africa; Black for the black oxen who is the strongest animal on the farm; and Mambazo which is Zulu for an axe which represents the ability for the group to cut down competition.

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Poster of the movie Michael Jackson Moonwalker (Wikipedia)

They were introduced to the global stage by Paul Simon with their collaboration on his 1986 Graceland album. They are seen dancing and singing in the last scene of Michael Jackson‘s movie ‘Moonwalker,’ where their entrancing song goes as, “Come and see. The moon is dancing.”  Not to be in awe of their amazing songs, the harmony, their voices, is truly not possible.

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Ladysmith Black Mambazo in a move (Source: Timeslive.co.za)

It is with great sadness that I heard of the passing of the founder of Ladysmith Black Mambazo, Joseph Shabalala. I am just so glad that his legacy, the Ladysmith Black Mambazo, leaves on, and that his voice will still serenade countless people around the globe. Long Live Joseph Shabalala’s legacy! Long Live Ladysmith Black Mambazo!