Mory Kante : So long to an Electrifying Griot

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Mory Kante with his kora (Source: RadioKing.com)

I remember dancing to the tunes of “Yé ké yé ké” as a child… I also have fond memories of seeing Mory Kante play his kora, and being amazed by his dexterity, finesse, and charisma. Every note transported me to different horizons. It did not matter that I did not understand his language, I could feel the emotions he conveyed with his voice and kora… it was like magic: one could travel all the way to Guinea and back within the confines of one’s room.

On May 22, 2020, an honorable member of the Griot (Djeli) family, Mory Kante, moved to the land of his ancestors. In reality, he just changed dimensions, and left us with the electricity of his music. Born in 1950 in a small town near Kissidougou in Guinea, Mory Kante came from a long family tradition of griots (Djeli). Both of his parents were griots, his father was from Guinea and his mother from Mali  Mory absorbed the singing of his parents and as a child learned to play the balafon. As a child, his family sent him to Mali to study the kora and other griot traditions. 

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Mory Kante with some of the instruments he played including the balafon, kora, and djembe (Source: Express.co.uk)

Mory Kante is often known as the “electronic griot” because he modernized local traditional instruments such as his kora which he electrified, and fused African music with styles and instruments from Western pop. Kante’s 1987 single “Ye Ke Ye Ke” was a hit, first in Africa and then across Europe. It became the first African single to sell more than a million copies and has been licensed frequently for commercials and film soundtracks. It has even been reworked by other musicians into German techno, Bollywood film music and Chinese Cantopop.

If you ever come across a kora, or listen to Ye Ke Ye Ke remember this great man who modernized the ancient ways to share with us his love of the music of his forefathers. His music has inspired countless singers from the new generation. The New York Times , BBC, and Guardian have written articles about this great man.

A TEDx Talk on the Griot Tradition of West Africa

Sibo Bangoura is a griot from Guinea, West Africa, now living in Australia. In this TEDx talk, he shares the traditions of his musical heritage with people from all over the world. While playing the Kora, a musical instrument from West Africa, Sibo sang a traditional West African song, Nan Fulie, about the importance of the Griot people – the West African musicians, storytellers, custodians and teachers of tradition through music and dance. Enjoy!

The Griot, the Preserver of African Traditions

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Wolof griot in Senegal, c 1890

Africa has a strong, deep, and rich oral tradition. In many countries across West Africa, this tradition is often preserved by the griots, who are historians, storytellers, praise singers, poets, and/or musicians. Often, the griot is the preserver of the history of a family, a clan, and sometimes of the nation. This is done by narrating how the family/clan/tribe/nation was founded and its outstanding achievements. In essence, the griot is a repository of the oral tradition, and is often seen as a societal leader due to his or her traditional position as advisor to kings and leaders.  The griot’s praises centers around the leader of the clan, of the tribe, and of the nation. Thus, great kings throughout history had griots: Sundiata KeitaKankan Musa, and many others.

The Mali Empire (Malinke Empire), at its height in the middle of the 14th century, extended from central Africa (today’s Chad and Niger) to West Africa (today’s Mali and Senegal). The empire was founded by Sundiata Keita, whose exploits remain celebrated in Mali today. In the Epic of Sundiata, King Naré Maghann Konaté offered his son Sundiata a griot, Balla Fasséké, to advise him in his reign. Balla Fasséké is considered the founder of the Kouyaté line of griots that exists to this day.

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Mali Empire (Wikipedia)

Each aristocratic family of griots accompanied a higher-ranked family of warrior-kings or emperors, called jatigi. Moreover, most villages and prominent clans also had their own griot, who told tales of births, deaths, marriages, battles, hunts, affairs, and hundreds of other things.

The Cameroonian author Francis Bebey writes about the griot in his book African Music, A People’s Art (Lawrence Hill Books): “The West African griot … knows everything that is going on… He is a living archive of the people’s traditions… The virtuoso talents of the griots command universal admiration. This virtuosity is the culmination of long years of study and hard work under the tuition of a teacher who is often a father or uncle. The profession is by no means a male prerogative. There are many women griots whose talents as singers and musicians are equally remarkable.

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Griots of Sambala, King of Medina (Fula people of Mali) c.1890

In Mande society, the jeli was an historian, advisor, arbitrator, praise singer (patronage), and storyteller. Essentially, these musicians were walking history books, preserving their ancient stories and traditions through song. Their inherited tradition was passed down through generations. Their name, jeli, means “blood” in Mandinka language. They were said to have deep connections to spiritual, social, or political powers as music is associated as such. Speech is said to have power as it can recreate history and relationships.

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Youssou N’Dour

In addition to being singers and social commentators, griots are often skilled musicians. Their instruments include the kora, the khalam (also spelled xalam), the goje (called n’ko in the Mandinka language), the balafon and the ngoni.

Griots can be found throughout Africa and bear different names from country to country. A world-renowned singer and grammy award winner descending from a family of griots is Senegalese singer, Youssou N’Dour. Below is the trailer to the movie Griot. Enjoy!