This year’s winner of the Golden Stallion of Yennenga at FESPACO 2021 is the Somali movie The Gravedigger’s Wife by Somali-Finnish director Khadar Ahmed. It defeated 16 other movies to win the Golden Stallion of Yennenga. The movie tells the story of a man, whose job is to wait outside hospitals to bury the dead, and what he has to do to save his sick wife. It is a beautiful movie, which tells the simple story of humanity and love, what we have to do for our loved ones. Set in Djibouti, the movie follows the struggles of Guled (Omar Abdi) as he tries to raise funds for his wife’s treatment who is dying of kidney failure. The movie took a long time in the making, as director Khadar Ahmed wrote the story 10 years ago, but wanted to direct it himself and so took time to learn how to direct movies. Aren’t we glad he was determined to tell the story himself? Well, the Golden Stallion of Yennenga is a tribute to his hard work, and tells us to keep being engaged with our passion.
The second prize went to Haitian director Gessica Geneus for her film Freda, while the third prize went to Tunisian director Leyla Bouzid for A Tale of Love and Desire.
This year’s edition of the FESPACO did not disappoint, we loved it… and wish all the runners up the very best, and are proud for Khadar Ahmed with The Gravedigger’s Wife. I leave you here with the trailer. Enjoy!
The African film festival, FESPACO, is back this year after the pandemic, the lockdowns of the past year and half, and an 8-months delay (the biennial event was originally scheduled for February 27 – March 6, but had to be postponed because of the Coronavirus pandemic). It is back in Ouagadougou amidst the health situation and also the security issues that have surfaced in the Sahel region, and particularly in Burkina Faso, in the past few years.
The Festival Panafricain du cinema et de la television de Ouagadougou (FESPACO) is the Panafrican Film and Television Festival of Ouagadougou, which happens to be the largest African film festival. It is held biennially in Ouagadougou, the capital of Burkina Faso. First established in 1969, and boasting some of Africa’s greatest writers and filmmakers (like Ousmane Sembene), the FESPACO offers a chance for African filmmakers and professionals to showcase their work, exchange ideas, and meet other filmmakers, and sponsors.
This year’s FESPACO started on October 16thand will end on October 23rd. It promises to be great with filmmakers from around the continent coming to Ouagadougou to celebrate African cinema. After over a year of confinement, with life and particularly travel almost coming to a grinding stop, the festival promises to bring some much needed entertainment and joy.
Over 200 films made by Africans and mainly produced in Africa have been selected for the week-long event. The official selection will see 17 feature-length films compete for the festival’s top prize, the Golden Stallion of Yennenga.
Among them is Burkinabe Boubacar Diallo’s comedy Les Trois Lascars (The Three Lascars), Chadian Mahamat Saleh Haroun with Lingui, les liens sacrés (Lingui, the sacred links), Congolese Dieudo Hamadi with documentary En route pour le milliard (On the roadfor the billion), Ivorian Philippe Lacôte with his much appreciated La nuit des rois (The night of the kings), Senegalese Aissa Maiga with Marcher sur l’eau (Walking on water), Algerian Hassane Mezine with Fanon hier, aujourd’hui (Fanon yesterday, today), Tunisian Leyla Bouziz with Une histoire d’amour et de desir (a story of love and desire), Cameroonian Narcisse Wandji with Bendskins (Moto-taxis), Namibian Desiree Kahikopo-Meiffret with The White Line, Tanzanian Ekwa Msangi with Farewell Amor, … It will be impossible to list here all that the festival has to offer, but know that it is quite extensive and everybody will have its fill. Enjoy FESPACO 2021!!!
2019 marks the 50th year anniversary of the FESPACO. As a reminder, the FESPACO (Festival Panafricain du cinema et de la television de Ouagadougou) is the Panafrican Film and Television Festival of Ouagadougou, and is the largest African film festival, held biennally in Ouagadougou, the capital of Burkina Faso. First established in 1969, and boasting some of Africa’s greatest writers and filmmakers (like Ousmane Sembene), the FESPACO offers a chance for African filmmakers and professionals to showcase their work, exchange ideas, and meet other filmmakers, and sponsors. Filmmakers from around the continent come together in Ouagadougou which is transformed into the Hollywood or the Cannes of the continent for this 8-day celebration. This year’s FESPACO ran from February 23 to March 2nd.
The Golden Stallion of Yennenga 2019 was awarded to the movie “The Mercy of the Jungle” directed by Joel Karekezi of Rwanda. “The Mercy of the Jungle” shows the arduous road trip taken by foot of two soldiers lost in the jungle during the time of the Democratic Republic of Congo wars. It beat out 19 other candidates to get the Golden Stallion of Yennenga. Marc Zinga, a Belgian, also took best actor for his role in “The Mercy of the Jungle.”
Second prize went to “Karma”, a drama by Egyptian director Khaled Youssef, while third place was awarded to Tunisian Ben Hohmound, who directed “Fatwa”, another drama.
This year also, women have complained about the fact that in 50 years, not a single woman has won the top prize at FESPACO. This highlights a problem of gender equality for film directors. South African actress Xolile Tshabalala, who featured in “Miraculous Weapons”, directed by Jean-Pierre Bekolo, a Cameroonian asked, “can it be that in 50 years, there hasn’t been a single woman capable of telling a great story to win the Fespaco?” Burkinabe director Apolline Traore said that any award had to be earned, not considered a token gesture, but admitted that there is a problem in gender equality for directors. “There’s no equality for the craft of a woman director, not just in Africa, but in the world,” she said. Traore won a special prize on Friday for her film, “Desrances”.
I always loved the sound of the name Ouagadougou as it rolled off my tongue: it felt like a mouthful, but like a happy mouthful, the one you say with love: OUA-GA-DOU-GOU (WA-GA-DU-GU). Remember this is the capital of the land of upright people, the land of this proud son of Africa, Thomas Sankara. Yes, you know, the capital of Burkina Faso.
Originally, the city was called Kombemtinga, or the “land of princes.” It was founded on the 11th century by the Nyonyonse people.
The name Ouagadougoudates back to the 15th century when the Ninsi tribes inhabited the area. According to the Larlé Naba, the holder of the Mossi Empire‘s secrets, the city founders were in constant conflict with neighboring people until 1441, when they were forced to seek the protection of the Mossi Emperor Zoungrana, who was then living in Tenkodogo. In 1441, Wubri, Zoungrana‘s son, and an important figure in Burkina Faso‘s history, led his tribe to victory. He then renamed the area from “Kombemtinga” or “Kumbee-Tenga“, as the Ninsi had called it, to “Wogdgo” which meant “Come honor me“.
It is this appellation which has evolved to “Woghodogo,” then Ouagadougoufrom the French. Others say that the name was changed by Wubri from “Kombemtinga” to “Wage sabre soba koumbem tenga“, meaning “head war chief’s village“. The city then became the capital of the Mossi Empire in 1441 and the permanent residence of the Mossi emperors (Moro-Naba, Mogho Naaba) starting in 1681 with Naba Sanem. The Moro-Naba Ceremony is still performed every Friday by the Moro-Naba and his court to this day. The French made Ouagadougou the capital of the Upper Volta territory (basically the same area as contemporary independent Burkina Faso) in 1919.
The name was originally « Woogrtenga » and « Wogodogo » to mean « where we receive honors, respect». Ouagadougou grew around the imperial palace of the Mogho Naaba. Being an administrative center of colonial rule, it became an important urban center in the post-colonial era. First the capital of the Mossi Kingdoms and later of Upper Volta and then Burkina Faso, Ouagadougoubecame a veritable communal center in 1995. Affectionately called Ouagaby most, it is the center of the African film festival, FESPACO.
So if you visit Ouagadougou, remember that you are visiting the original land of the princes, and the place where we receive honors and respect. Isn’t it a name worthy of the capital of the land of the upright people(Burkina Faso)? Enjoy the video below about Ouagadougou.
I had to share the trailer of the documentary “Capitaine Thomas Sankara” by Christophe Cupelin, which was shown this year at the FESPACO 2015 in Ouagadougou, Burkina Faso. This is the first time a movie about Thomas Sankara, the African Che, could be shown at the FESPACO in 27 years since Compaore‘s coup. Enjoy!
FESPACO2015ended last week, and ran from February 28th until March 7th. The festival’s glamour was not at its usual, since the overthrowing of Blaise Compaoré, but it still took place in Ouagadougou, Burkina Faso, and brought in some great African films and documentaries.
This year’s festival featured, for the first time, films from the African diaspora. 720 films competed, and 134 were selected in the 5 categories. The winner of this year’s Golden Stallion of Yennenga was “Fievres” by the French-Moroccan filmmaker, Hicham Ayouch. The film tells the story of a 13 year old boy, displaced and prone to violence who learns that he has a father after his mother is sent to jail, and is sent to live with his father in a Parisian suburb. The beauty of “Fievres” is its focus on telling the tale between a father and son who have to learn to be father-son, and also the cultural identity among immigrants, and practicing Muslims in France.
The Silver Stallion was awarded to Algerian director Belkacem Hadjadj for his film on “Fadhma N’Soumer“, a stunning biopic on the life of the Algerian resistance leader who fought against the French colonial forces in Kabyle. I was so happy to see this movie made, and winning the second prize, as I had written about Lalla Fadhma N’Soumer a while ago, and wanted her praises to be sung. This is truly Africans telling their own stories, and honoring their greatest heroes and heroines. Applauses to director Belkacem Hadjadj for telling our history.
The Bronze Stallion was awarded to Burkinabé director Sekou Traoré “L’Oeil du Cyclone” (The Eye of the Cyclone), which is a political drama set in an unnamed African country plagued by civil war. The film follows an idealistic young lawyer committed to defending a former child soldier charged with war crimes. The movie shows two faces of Africa: the young, idealistic and futuristic, vs. the broken and consumed with the past. The movie also won the festival awards for Best Actress (Maimouna N’Diaye – who is clearly a rising star of African cinema), and Best Actor (Fargass Assandé).
The Burkinabé public finally had the chance to see the documentary “Capitaine Thomas Sankara” by Christophe Cupelin, which would have never been allowed at FESPACO under Blaise Compaore’s tenure (Thomas Sankara‘s murderer, best friend, and coup-formenter). It was a time to celebrate the life of Burkina Faso’s greatest hero. To read more about this year’s FESPACO, check out The Guardian, and the FESPACO homepage.
With the upcoming closing ceremony of the FESPACO this Saturday, I thought it important to talk about Africa’s film tradition. For starters, the FESPACO (Festival Panafricain du cinema et de la television de Ouagadougou) is the Panafrican Film and Television Festival of Ouagadougou, the largest African film festival, held biennally in Ouagadougou, the capital of Burkina Faso. First established in 1969, and boasting some of the Africa’s greatest writers and filmmakers (like Ousmane Sembene), the FESPACO offers a chance to African filmmakers and professional to showcase their work, exchange ideas, and meet other filmmakers, and sponsors. Filmmakers from around the continent all come together in Ouagadougou which is transformed into the Hollywood or the Cannes of the continent for this special occasion. This year’s FESPACO is presided by legendary director Euzhan Palcy (who made: Rue Cases Negres, A Dry White Season, Ruby Bridges).
This year, 755 movies are competing in different categories. 20 feature films will be competing for the Golden Stallion of Yennenga (Etalon d’Or de Yennenga) which will be awarded Saturday March 2nd. The select 20 features in the ‘long metrage’ section address various subjects such as clandestine immigration (‘La Pirogue’ from Senegalese Moussa Traore, which was a big hit at last year’s Cannes festival), journalism and censorship (‘Les Chevaux de Dieu’ by Moroccan Nabil Ayouch, also featured at Cannes 2012), love (‘Love in the Medina’, by Moroccan filmmaker Abdelhai Laraki), war (‘La genese de la bataille d’Alger’, by Algerian filmmaker Said Ould Khelifa), theft in society (How to steal 2 million, from South African Charlie Vundla), ‘La republique des Enfants’ (Children’s republic) by Bissau-Guinean filmmaker Flora Gomes– a country abandoned by adults where children organize themselves into a prosperous country, or revolution and prostitutes in a war camp (‘Virgem Margarida’ directed by Mozambican Licinio Azevedo – which premiered at the Toronto International Film Festival last year).
Enjoy this photojournal by Nic Bothma on the the Guardian’s website. You can read some movies’ sypnosis on Gabonews. Enjoy the generic of this year’s festival, which tells the story of the famous princess Yennenga, and the festival.