“Eve Congolaise / Congolese Eve” by Jean-Baptiste Tati-Loutard

Congo_Brazzaville_Flag
Flag of the Republic of Congo

Many cultures in Africa are matriarchal, and it absolutely makes sense that the homeland is constantly portrayed as a woman in African poetry. Today we will talk about the poem “Congolese Eve” by Jean-Baptiste Tati-Loutard. Tati-Loutard is a Congolese author from the Republic of Congo or Congo-Brazzaville. As an accomplished writer, he has published several compilation of poetry, and has won several awards. In his writings, he does a deep expose of the art, life, and nature; he often incorporates the feminine element in his work. Similar to other African authors like Léopold Sédar Senghor (former president of Senegal) or Ferdinand L. Oyono (minister in Cameroon), Tati-Loutard is also a politician, who has occupied several posts in the government of his country.

African princess
African princess

Enjoy ‘Ève Congolaise‘ by Jean-Baptiste Tati-Loutard, published in Anthologie africaine: poésie, Jacques Chevrier, Collection Monde Noir Poche, Hatier 1988, p. 136. Translated to English by Dr. Y. Afrolegends.com.

 

 

 

 

Eve Congolaise

Je l’ai vue quand Dieu l’a créée sur la Montagne :

C’était une pleine nuit, la lune ayant atteint

Le plus haut niveau de ses crues de lumière.

 

Avant que Dieu ne parût comme jadis sur l’Horeb,

L’herbe alentour marchait déjà tête baissée

Sous la brise.

 

Il prit de la terre non battue de quelque pied,

Et la coula – vierge comme au Jour Premier –

Dans un long rayon de lune.

 

En un tour de main, ce fut le tour des seins ;

Et la grâce et l’esprit giclaient d’Eve

En eclaboussements éblouissants de lumière.

Puis vint le signal :

 

Dans l’espace nu, le vent se mit à tourner sur lui-même

Comme s’il avait mal de ne pouvoir se détendre

Dans un arbre. Dieu reprit l’air dans le tourbillon ;

Et dans le silence plein de clarté,

 

L’Eve congolaise descendit vers le fleuve à l’heure

Où le soleil sort en refermant derrière lui

La porte de la nuit.

 

 

Congolese Eve

I saw her when God created her on the Mountain:

It was a full night, the moon having reached

the fullest level of its light floods.

 

Before God appeared as He once did on the Horeb,

The grass around was already walking head down

Under the breeze

 

He took some dirt from some foot,

And the flow – virgin as on the First Day –

In a long moon ray.

 

In no time it was the turn of the breasts ;

And the grace and the spirit spurted from Eve

In dazzling splashes of light.

Then came the signal :

 

In the naked space, the wind started to turn on itself

As if it hurts not to be able to relax

In a tree. God took the air back in the whirlwind;

And in the silence full of clarity,

 

The Congolese eve descended towards the river at the time

When the sun comes out closing behind him

The door of the night.

Les raciness congolaises, op. cit.

“Vos yeux prophétisent une douleur” de Tchicaya U Tam’si / “Your Eyes Prophesy a Pain” by Tchicaya U Tam’si

Tchicaya UTamsi
Tchicaya U Tam’si (Revuenoire.com)

I share with you a poem by the late Congolese writer Tchicaya U Tam’si, “Vos yeux prophétisent une douleur”/”Your Eyes Prophesy a Pain.” Gérald-Félix Tchicaya is mostly known by his pseudonym Tchicaya U Tam’si, where U Tam’si means ‘the one who speaks for his country‘. Born in Mpili in the former French Congo (Republic of Congo), he was a poet, journalist, and an activist. He is considered by many as one of the greatest poets of his generation.

Patrice Emery Lumumba
Patrice Emery Lumumba

U Tam’si’s poetry uses symbolism, dark humor, and surrealist, corporeal imagery to explore cultural identity in a politically unstable society. A member of the Congolese independence movement, a friend of Patrice Lumumba, U Tam’si creates work on the nature of African identity that is sometimes connected to Aimé Césaire’s Negritude movement, which advocated for the protection of a distinct African culture in the face of French colonialism and European exploitation.

To me, the pain U Tam’si talks about in this poem is that of slavery, of colonialism, of neo-colonialism, of tribalism. He talks as if he was in the 1600s, during slavery times, and predicting more pain. What do you think? What pain is U Tam’si talking about? The original poem was published in Anthologie Africaine: Poésie Vol2, Jacques Chevrier, Collection Monde Noir Poche, 1988; the English translation is brought to you by Dr. Y., Afrolegends.com.

Vos yeux prophétisent une douleur…

Comme trois terrils, trois collines de cendres!

Mais dites-moi de qui sont ces cendres?

La mer obéissait déjà aux seuls négriers

Des négres s’y laissaient prendre

Malgré les sortilèges de leurs sourires

On sonnait le tocsin

A coups de pied au ventre

De passantes enceintes:

Il y a un couvre-feu pour faisander leur agonie

Les feux de brousse surtout donnent de mauvais rêves

Quant à moi

Quel crime commettrais-je ?

Si je violais la lune

Les ressusciterais-je ?

Quelle douleur prophétisent vos yeux ?

 

Your eyes prophesy a pain …

As three heaps, three hills of ashes!

But tell me, from whom are those ashes?

The sea already obeyed only the slave ships

Niggers were being captured

Despite the spells of their smiles

The tocsin was sounded

Through kicks in the belly

Of pregnant passers-by:

There is a curfew to intensify their agony

Bushfires especially give nightmares

As for me

What crime would I commit?

If I raped the moon

Will I resuscitate them?

What pain do your eyes prophesy?