German Colonial Treaties in Africa: Togoland July 5th 1884

Togoland - flag
Flag of the German colony Togoland

Today, I present to you the text of the treaty signed between King Mlapa – the King of Togo, or rather his representative Chief Plakko or Plakkou, and the Consul General Gustav Nachtigal thereby placing his land under German protectorate. This is the famous July 5th 1884 treaty which marks the beginning of the German protectorate in Togoland and the birth of this German colony in West Africa. As you read it, remember that Porto Seguro is now Agbodrafo and Bagida is Baguida in Togo. Note also that when it is said ‘King of Togo,’ Togo in this case refers to the area around Togoville, the village which gave its name to the entire country. As always, European colonizers used one main treaty in one area of the country (mostly coastal) to claim ownership over the rest of the country. The original in German can be found in Geschichte der deutschen kolonien by Horst Gründer, UTB (2018) p. 91-92

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Nachtigal
Gustav Nachtigal

Bagida, July 5th 1884

The Consul General for the German Reich, Dr.  Gustav Nachtigal, in the name of His Majesty the Kaiser of Germany, and Mlapa, King of Togo, represented for himself, his heirs and his chiefs by Plakkou, carrier of King Mlapa’s stick, have come to the following agreement :

Article 1
King Mlapa, desiring to protect legitimate trade, which mostly is carried out by Germans, and to grant the German merchants full security for their lives and property, requests the protection of His Majesty the German Kaiser, so that he is enabled to uphold the independence of his territory, which stretches from Porto Seguro‘s eastern border to the western border of Lomé or Bey Beach. His Imperial Majesty grants such protection, with the reservation of legitimately acquired rights of third parties.

Article 2
King Mlapa will cede no part of his lands and sovereignty rights to any foreign country of person, and he will not sign any treaty with any foreign power without the previously given approval of His Imperial Majesty.

Togo, Lome, Verladen von Baumwollballen
Lome, Togo: loading of cotton bales, early 1900s

Article 3
King Mlapa grants protection and free trade to all German subjects who live in his land, and promises never to grant merchants of other nations privileges, preferential treatment or protection beyond what is granted to the Germans. King Mlapa, without His Imperial Majesty’s approval, will refrain from collecting tariffs other than those presently collected, which are
1 Shilling for every ton of palm kernels
1 Shilling for every barrel of palm oil
which are to be paid to the chief of the respective location.

Article 4
His Majesty the German Kaiser will respect all trade treaties previously signed by King Mlapa and others, and will in no way place burdens upon free trade in King Mlapa‘s land.

Togoland_Map of Togoland in 1885
Map of Togoland in 1885

Article 5
His Majesty the German Kaiser will not interfere in the manner the tariff so far has been collected by King Mlapa and his chiefs

Article 6
The signatory parties reserve matters of mutual interest, not included in this treaty, for future agreements.

Article 7
This treaty takes force immediately, reserved ratification by the German government.
In order to testify, we have signed in the presence of the witnesses which have signed

Witnesses

Togoland_1908
Painting of Togoland in 1908 (R. Hellgrewe)

J.J. Gacher, J.B. Ahpevon, interpreters
H. Randad 
Josua Lenze
Mandt, Lt. at sea
Dr. Max Buchner
Chief Plakko 
Chief Adey of Lomé or Bey
Coodaycee 
Hadji, 2nd chief of Bey 
Okkoo
Nukoo
King Garsa of Bagida

signed Dr.  Nachtigal

1 Translator’s footnote : Here a text originally written in English, and printed in German translation in the RTA, has been re-translated into English. Thus it might differ slightly in diction from the original text. 

Proud to be Black: A Quote by Bernard Dadié

Mwekassa1
Zack Mwekassa, Former World Champion of Boxing and Kick Boxing (Source: Glory KickBoxing)

Je vous remercie mon Dieu, de m’avoir créé Noir, … Je suis content de la forme de ma tête faite pour porter le Monde, Satisfait de la forme de mon nez Qui doit humer tout le vent du Monde, Heureux de la forme de mes jambes Prêtes à courir toutes les étapes du Monde.

I thank you God, for making me black, I am happy with the shape of my head shaped to carry the world, Satisfied with the shape of my nose which has to smell all the scents of the world, Happy with the shape of my legs ready to run all the steps of the world.

Bernard Binlin Dadié.  The poem above is titled “I Thank you God” or “I thank you my God,”

Quote by Miriam Makeba on the Misrepresentation of Africa in the Media

miriam-makeba
Miriam Makeba

People in the United States [the West] still have a ‘Tarzan’ movie view of Africa. That’s because in the movies all you see are jungles and animals . . . We [too] watch television and listen to the radio and go to dances and fall in love.” Miriam Makeba

German Warfare in Africa: 1884 Bombings in Kamerun and The Defiance of Kum’a Mbappé

douala_vue des airs
View of Douala from the airs: on the other side of the bridge (not shown) is Bonabéri, old Hickory Town

I never thought that bombing, grenades, and warships had been used in wars in Africa prior to the 20th century. Little did I know that it had been in use in the 19th century, during the European invasion of Africa that is known as the scramble for Africa. Today we will talk about the first bombings on Cameroonian soil which occurred on 22 December 1884, when Germans on warships SMS Bismarck and SMS Olga bombed Hickory Town (Bonabéri) in Cameroons Town (modern-day Douala). What might have caused these bombings by German forces on Cameroonian soil, long before the area was ever known as Kamerun?

Kamerun_Kuma Mbappe
Kum’a Mbappé, Bonaberi 1884 Liberte by Enoh Meyomesse

Well, when the 12 July 1884 Germano – Duala Treaty was signed between the representatives of the Jantzen & Thormählen firm and some of the Douala kings, King Ndumbé Lobé Bell and King Akwa, it was not a unanimous choice among the locals. As a matter of fact, most of the population was against the treaty, and sided with Kum’a Mbappé also known as Lock Priso, King of Hickorytown. The other kings had signed treaties ceding their lands to the Germans without consulting with the others. Kum’a Mbappé refused to sign the treaty. On that fateful day, when the Germans raised their flag in Hickory Town, after raising it in Joss Town, Kum’a Mbappé reacted by writing to the German consul: “Pull that flag down. No man buy we. They want to give us plenty dash, we tell them no. Leave us free and not make us plenty trouble.” The Germans, of course, did not heed the warning, and Kum’a Mbappé ordered the flag to be taken down and the mast ripped apart, a German merchant was killed in the fightings that ensued.

Kamerun_Eduard_von_Knorr
Eduard Knorr, in 1884

Kum’a Mbappé and his people courageously resisted and defeated the German army. The Germans were outnumbered. After this defeat, German consul Max Buchner wrote to Germany to send troops with real armament, cannons, bombs, grenades, in order to level out Hickory Town and kill Kum’a Mbappé who was a thorn on his side.

Opposition to German rule followed the annexation of July 1884. Lock Priso still favored the British and staged a rebellion in December 1884. Around this same time, King Bell faced off against his own people, who were largely opposed to the German rule. Bell then found himself up against the other Duala chiefs in the Duala War, which was fought over the killing of a Bonabéri Duala and Bell’s alleged refusal to share his profits with the other sub-lineages. Germans played the competitors against one another – this is a classic technique used by Europeans: divide-and-conquer. They supported the weaker King Bell to counter the powerful King Akwa.

Kamerun_Corvette allemande SMS_OLGA durant la canonnade de Hickorytown on 21 Dec 1884
SMS Olga during the shelling of Hickory Town on December 21, 1884

From December 20th – 22nd, Commander Eduard von Knorr sent by Berlin decided to intervene immediately, and sent ashore a landing party of some three hundred men from warships SMS Bismarck and SMS Olga to arrest the leaders of the anti-German tribes and destroy their villages. The troops from SMS Bismarck that went ashore and landed north of Hickorytown, while the men from SMS Olga went ashore south of the village. The Germans fought their way into the town, forcing the local forces to retreat into the mangrove forest, where they could not easily be pursued. While this operation was underway, Knorr received word that other hostile locals had attacked the trading post operated by Jantzen & Thormählen in Joss Town and had captured the company’s local manager. Knorr sent SMS Olga upriver to shell enemy positions, and on 22 December, the landing parties returned to their ships, having lost one man killed aboard SMS Olga and eight men wounded between the two ships. German sailors descended on Bonabéri, and burnt the city down; the deluge of fire was endless and lasted several days. They also stole the princely bow or Tangué from Kum’a Mbappé’s ship, considered the symbol of the Belé-Belé people (people of Hickory-Town): the Tangué is a sort of a bow, carved and personalized, sort of a pennant that identifies a king among the people of these water tribes. The German consul Max Buchner wrote in his war diary,

Kamerun_Explorer_Max_Buchner
Max Buchner

Lock Priso’s palace is plundered, a colorful and striking image. We set it on fire. But I have asked all the houses to be inspected before to find ethnographic treasures. My main booty is a great wooden carved work, the princely bow (tangué) of Lock Priso, which will be sent to Munich.” [“Le palais de Lock Priso est mis à sac, une image colorée et saisissante. Nous y mettons le feu. Mais j’ai demandé avant d’inspecter toutes les maisons pour trouver des trésors ethnographiques. Mon butin principal est une grande œuvre sculptée en bois, la proue princière (tangué or tangu’a bolo, in Duala language) de Lock Priso, qui sera envoyée à Munich.”]

Kamerun_Lock Priso
The bow, Tangué, of Kum’a Mbappé at the Ethnographic Museum of Munich (Wikipedia)

After several days of fighting, the German army won because of their superior arms, and also the help sent by other Duala kings. Negotiations went on, and a peace treaty (i.e. a treaty acknowledging defeat) was finalized on 13 January 1885, forcing Kum’a Mbappé to accept German rule in Hickory Town. This hero of Cameroonian resistance, passed away in 1916.

The symbol of the Belé-Belé people, the Tangué, was only returned over 100 years later, after tireless work from one Kum’a Mbappé’s grandsons, Prince and professor Kum’a Ndumbe III and others. To learn more, please read the book Kum’a Mbappé Bonabéri 1884 Liberté! by Enoh Meyomesse, and visit the website of this proud descendant of Kum’a Mbappé, Prince Kum’a Ndumbe III at AfricAvenir.

Our Article on Namibia featured on ‘The Dr. Mumbi Show’

Our article about Germany Returning Artifacts Stolen From a Namibian Freedom Fighter, Chief  Hendrik Witbooi, has been featured on The Dr Mumbi Show this week. Enjoy!

A Quote from Bernard Dadié: “Thank You God for Making me Black”

Laughter_1
Rire / Laughter

Je vous remercie mon Dieu, de m’avoir créé Noir, Je porte le Monde depuis l’aube des temps Et mon rire sur le Monde, dans la nuit crée le jour.

I thank you God, for having created me black, I carry the world since the beginning of times And my laughter on the world, at night created the day.

Aube_1
Aube / Dawn

Bernard Binlin Dadié.  The poem below is titled “I Thank you God” or “I thank you my God,” “Je vous Remercie Mon Dieu” de Bernard B. Dadie / “I Thank You God” from Bernard Binlin Dadie

Queen Amina of Zazzau: Woman As Capable as a Man

Queen Amina_1
Queen Amina of Zazzau

A few years ago, I wrote about Queen Amina of Zazzau: the Great Hausa Warrior born to Rule, the woman remembered today in Nigeria as  ‘Amina, rana de Yar Bakwa ta San’ (Amina, daughter of Nikatau, woman as capable as a man). Crowned queen of Zazzau in 1576, Amina expanded her kingdom’s boundaries down to the Atlantic coast; she founded several cities, and personally led an army of 20,000 soldiers to numerous battles. During her 34-year reign, she commanded the construction of a defensive mural around each military camp that she established.  Later, those camps evolved into prosperous cities within those walls, and some can still be seen today in northern Nigeria.  Those cities are known as walls ‘ganuwar of Amina’ or ‘Amina’s walls‘.

Queen Amina’s achievement was the closest that any ruler had come in bringing the region now known as Nigeria under a single authority. Enjoy this trailer for the movie Amina by Izu Ojukwu and the website for it: AminaQueenOfZazzau.com; the BBC also made a cartoon about her. With Hollywood’s recent lack of imagination and appropriation of other people’s culture, I would not be surprised that they copy her story to bring it onto big screen. However, Africans should put forward their own stories and value them… not wait for some imagination-hungry entity to come grab it, to all of a sudden value their own history (Black Panther).

A Quote from Bernard Dadié from ‘The Lines of Our Hands’

Les lignes de la main
Les lignes de la main / The Lines of the hand

Les lignes de nos mains sont des lignes de Vie, de Destin, de Coeur, d’Amour. De douces chaînes qui nous lient les uns aux autres, Les vivants aux morts.

The lines of our hands Are life lines Destiny lines, Heart lines, Love lines. Soft chains Which bind us One to the other, The living to the dead.

Bernard Dadié in ‘Les lignes de nos mains’ published in La Ronde des Jours, Edition Pierre Seghers, 1956. The English translation is by Dr. Y., Afrolegends.com. [Note: punctuation was added to write in one line the first sentence].

So long to an African Literary Genius: Bernard Dadié

Bernard Dadie
Bernard Dadié

It is with great sadness that I learned of the passing of the great Ivorian writer Bernard Binlin Dadié. Bernard Dadié was a Baobab of African literature, and he was 103 years of age at the time of his passing. On his 100th-year birthday, he had complained of not being able to write as much anymore, given that he still had so much to say! Dadié was a literary virtuoso who brilliantly explored many genres from poetry, to fiction, to theater.

Many have wondered what was the secret of his longevity, and “his children always thought that Dadié was able to surmount all those obstacles and live so long because he was deeply in love with his wife,” said Serge Bilé [« Ses enfants ont toujours pensé qu’il a pu traverser toutes ces épreuves et vivre si longtemps car il était amoureux de sa femme » Jeune Afrique] writer, journalist, and whose mother was a cousin of Assamala Dadié (Dadié’s wife).

Map of Cote d'Ivoire
Map of  Côte d’Ivoire

Dadié was born in Assinie, Côte d’Ivoire, and attended the local Catholic school in Grand Bassam and then the Ecole William Ponty. He worked for the French government in Dakar, Senegal. Upon returning to his homeland in 1947, he became part of its movement for independence: he denounced colonialism and neo-colonialism. Before Côte d’Ivoire‘s independence in 1960, he was detained for sixteen months for taking part in demonstrations that opposed the French colonial government.

Bernard Dadie_Climbie
Climbié by Bernard Dadié

Climbié, his most well-known novel was published in 1956, and was the first Ivorian fiction. With his theater piece The cities (Les Villes), played in Abidjan in April 1934, Dadié gave Francophone Africa its first drama piece. I am sure there were others played in the olden ancestral days, but this was the first one written in  Molière’s language. He was also the first to win the great literary price of Black Africa (le grand prix littéraire de l’Afrique noire) twice in 1965 with Boss of New York (Patron de New York, Présence Africaine, 1964), and The City where No One Dies (La Ville où nul ne meurt, Présence Africaine, 1969) in 1968. His other big novels are:  Le Pagne noir – Contes africains (1955), Un Nègre à Paris (Présence Africaine, 1959), Les voix dans le vent (1970), Monsieur Thôgô-Gnini (1970) ou les poèmes du recueil La rondes des jours (1956). In recent years, his poem “Dry Your Tears Afrika” (“Seche Tes Pleurs” de Bernard Binlin Dadié / “Dry your Tears Afrika” by Bernard B. Dadié) was set to music by American composer John Williams for the Steven Spielberg movie Amistad. Lastly, a street bears his name in Abidjan.

Bernard Dadie_Le Pagne noir
Le Pagne Noir – Contes Africains by Bernard Dadié

Among many other senior positions, starting in 1957, he held the post of Minister of Culture in the government of Côte d’Ivoire from 1977 to 1986. As a twist on fate, next week will come out in Côte d’Ivoire, a book titled 100 writers pay tribute to Dadié (100 écrivains rendent hommage à Dadié) in the Éburnie éditions. Bernard Dadié is the symbol of Côte d’Ivoire‘s deep and rich culture, marking a literary resistance to colonialism and neo-colonialism, and a strong love for his people, continent, and race

I live you here with the link to his poem “I Thank you God” which we had published a while back: “Je vous Remercie Mon Dieu” de Bernard B. Dadie / “I Thank You God” from Bernard Binlin Dadie. Yes, we thank God for his son Bernard Dadié who has graced this earth and shown us the way, revived our pride, and dried our tears (“Seche Tes Pleurs” de Bernard Binlin Dadié / “Dry your Tears Afrika” by Bernard B. Dadié). I would like to tell all those who mourn him, that the fierce spirit of Bernard Dadié lives on, and we are his legacy which we should uphold.

Ethiopian Emperor Tewodros II’s stolen hair to be returned by UK

Tewodros_II_-_2
Emperor Tewodros II

Last week we talked about Germany returning artifacts stolen from a Namibian freedom fighter back to Namibia. This week, it is the UK which have decided to return the stolen hair of Emperor Tewodros II back to Ethiopia. I hope the Ethiopian government will not just take it at face value, but perform some DNA test of this hair to ensure that it is indeed that of Emperor Tewodros II (Looted Ethiopian Treasures in UK could be returned on Loan). The thing that bothered me about the article below, is that these museums say that they will return stolen artifacts only based on official specific written requests: most of the times when the British looted the different kingdoms, Benin City (Benin City: the Majestic City the British burnt to the ground) in Nigeria or Maqdala in Ethiopia, there were no survivors or very few among the locals. In the case of Maqdala in 1868, it is said that 15 elephants and 200 mules were needed to cart away all the loot from Maqdala.How could anyone have an inventory of all the things they stole? This is just another way of keeping all the loot, and never returning it to their rightful owners. Below are parts of the article; for the full article, go to  The BBC:

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Ethiopia_Crown looted
A crown from the Maqdala exhibition at the V&A in south-west London – looted in 1868. (Source: V&A Museum)

A British museum [National Army Museum] is to return a lock of hair that the Ethiopian government considers a national treasure.

It was cut from the head of Emperor Tewodros II, who killed himself rather than be taken prisoner by the British during their 1868 invasion of Ethiopia. …

Strands of Emperor Tewodros II’s hair were given to the National Army Museum in London 60 years ago. …

The museum told the BBC it had decided not to make photographs of the hair public out of respect, because the matter was “too sensitive”. The remains are described as two pieces “no bigger than the size of a two-pence coin”.

Tewodros II_Departure of British expeditionary force from Magdala 1868
Departure of the British expeditionary forces from Maqdala with the loot – Illustrated London News 1868

The National Army Museum has now agreed to return the artefact, but says it is not returning any other items of African origin.

It’s definitely not a precedent,” a spokesperson for the museum told the BBC.

That’s the only one that’s been requested. They have to be formal, written requests to the director with a case“. …

The move has reignited demands for the UK to return all the looted artefacts on display in British museums. …