Today we will talk about Beatrice of Congo, also known as Kimpa Vita, who was an African priestess and prophet who held a lot of power. Born into a noble clan, the Mwana Kongo clan, she was baptized in her youth, and later created her own religious movement which used Christian symbols but revitalized traditional Kongo cultural roots. She is seen as a strong antislavery figure; think about this for a moment, the catholic priests preaching christianity, yet silently participating in the slavery of the Kongolese. Didn’t it make total sense for her to turn away from catholicism and create a true Kongo religion? Her movement which is among some of the best documented in Kongo’s history is seen a precursor to modern African democracy movements. Below is the physical portrait of Beatrice of Congo by a contemporary Father Bernardo da Gallo in 1710 (Translated to English by Dr. Y., Afrolegends.com).
This young woman was about twenty two years old. She was fairly tall and with fine features. On the exterior, she seemed very devout. She spoke with gravity, seeming to weigh all her words. She predicted “the future and announced among other things that the judgment was near.”
She walked on tiptoes (toes), almost without touching the ground with the rest of her feet; she moved her flanks and whole body, like a snake, even though her body was tense, as if deprived of spirit, and with bulging eyes; spoke frantically with delirium.
Rapport du Père Bernardo da Gallo, Rome, 17 Decembre 1710, publié par Louis Jadin
Les Africains Vol.9, Editions J.A, C.-A. Julien, P. 58, (1977)
Below is a description of the great city of Ségou (pronounce Segu) in Mali by the Scottish explorer Mungo Park in 1795. Here he describes the city’s population density, dynamism, architecture, and even their ways of life. He amply describes the roominess and surprised sturdiness of Ségou’s canoes which could host 4 horses. Mungo Park is simply astounded by the greatness of the civilization he encounters there, and concludes, “the crowded population and the cultivated state of the surrounding country, formed altogether a prospect of civilization and magnificence, which I little expected to find in the bosom of Africa.” Note that the city is surrounded by high mud walls probably similar to the Tata of Sikasso: an African Fortifying Wall.
Sego, the capital of Bambarra, at which I had now arrived, consists, properly speaking, of four distinct towns ; two on the northern bank of the Niger, called Sego Korro, and Sego Boo and two on the southern bank, called Sego Soo Korro and Sego See Korro. They are all surrounded with high mud walls ; the houses are built of clay, of a square form, with flat roofs ; some of them have two storeys, and many of them are whitewashed.
Besides these buildings, Moorish mosques are seen in every quarter ; and the streets, though narrow, are broad enough for every useful purpose, in a country where wheel-carriages are entirely unknown. From the best enquiries I could make, I have reason to believe that Sego contains altogether about thirty thousand inhabitants. The king of Bambarra constantly resides at Sego See Korro ; he employs a great many slaves in conveying people over the river, and the money they receive (though the fare is only ten cowrie shells for each individual) furnishes a considerable revenue to the king in the course of a year. The canoes are of a singular construction, each of them being formed of the trunks of two large trees, rendered concave, and joined together, not side by side, but end ways ; the junction being exactly across the middle of the canoe ; they are therefore very long and disproportionably narrow, and have neither decks nor masts ; they are, however, very roomy ; for I observed in one of them four horses, and several people crossing over the river. When we arrived at this ferry, with a view to pass over to that part of the town in which the king resides, we found a great number waiting for a passage ; they looked at me with silent wonder, and I distinguished, with concern, many Moors among them. There were three different places of embarkation, and the ferrymen were very diligent and expeditious ; but, from the crowd of people, I could not immediately obtain a passage ; and sat down upon the bank of the river, to wait for a more favourable opportunity The view of this extensive city ; the numerous canoes upon the river ; the crowded population and the cultivated state of the surrounding country, formed altogether a prospect of civilization and magnificence, which I little expected to find in the bosom of Africa.
I remember dancing to the tunes of “Yé ké yé ké” as a child… I also have fond memories of seeing Mory Kante play his kora, and being amazed by his dexterity, finesse, and charisma. Every note transported me to different horizons. It did not matter that I did not understand his language, I could feel the emotions he conveyed with his voice and kora… it was like magic: one could travel all the way to Guinea and back within the confines of one’s room.
On May 22, 2020, an honorable member of the Griot (Djeli) family, Mory Kante, moved to the land of his ancestors. In reality, he just changed dimensions, and left us with the electricity of his music. Born in 1950 in a small town near Kissidougou in Guinea, Mory Kante came from a long family tradition of griots (Djeli). Both of his parents were griots, his father was from Guinea and his mother from MaliMory absorbed the singing of his parents and as a child learned to play the balafon. As a child, his family sent him to Mali to study the kora and other griot traditions.
Mory Kante is often known as the “electronic griot” because he modernized local traditional instruments such as his kora which he electrified, and fused African music with styles and instruments from Western pop. Kante’s 1987 single “Ye Ke Ye Ke” was a hit, first in Africa and then across Europe. It became the first African single to sell more than a million copies and has been licensed frequently for commercials and film soundtracks. It has even been reworked by other musicians into German techno, Bollywood film music and Chinese Cantopop.
If you ever come across a kora, or listen to Ye Ke Ye Ke remember this great man who modernized the ancient ways to share with us his love of the music of his forefathers. His music has inspired countless singers from the new generation. The New York Times , BBC, and Guardian have written articles about this great man.
As you all know Timbuktu was a great center of knowledge in search for for many centuries starting at least in the 12th century. It was visited by people from around the world, in search of knowledge.
Timbuktu was one of the world’s first and oldest thriving universities! Students came from all over the world to study at Timbuktu. Imagine that, students from the middle east, and Europe coming to study in Africa! There are over 700,000 manuscripts at the great Sankore University in Timbuktu, and many more at other libraries including the Ahmed Baba Institute, Al-Wangari Library, and others.
Enjoy this documentary about the lost libraries of Timbuktucommented by the Scottish/Sierra Leonean writer Aminatta Forna. Enjoy, and discover with me the treasures of Africa.
I really enjoyed this photojournal on The Guardian‘s website about crocodiles and the ancient art of crocodile raising in Nubia. Taming crocodiles was a part of the culture of ancient Nubia; and it is still done today in Nubia (northern Sudan /part of Southern Egypt). One of the deities of ancient Egypt was Sobek, who was represented with a human body and a crocodile head. He was associated with the Nile crocodile or the West African crocodile. Sobek was also associated with pharaonic power, fertility, and military prowess, but served additionally as a protective deity with apotropaic qualities, invoked particularly for protection against the dangers presented by the Nile, or intended to turn away harm or evil influences.
The strength and speed of the crocodile was thought to be symbolic of the power of the Pharaoh, and the word “sovereign” was written with the hieroglyph of a crocodile. It was thought that Sobek could protect the Pharaoh from dark magic. Coincidentally, when the cult of Sobek took off during the Twelfth and Thirteenth Dynasties, a number of rulers incorporated him in their coronation names, including the first fully attested female pharaoh – Sobekneferu. To learn more about Sobek and other deities of ancient Egypt, check out Wilkinson, Richard H.,The Complete Gods and Goddesses of Ancient Egypt. (2003).
In ancient times, tamed crocodiles were kept in a sacred pool and hand fed choice cuts of meat and honey cakes and adorned with precious jewels. The pratique has not changed much over the centuries as you will see in the photojournal on The Guardian‘s website. Enjoy!
Below is a description of the army of King Béhanzin by a French prisoner made on 13 March 1890. This Frenchman is stunned by the number of warriors in Behanzin’s army, by their discipline, strength and muscular stature. More importantly, he also describes the Dahomey Amazons (locally known as Mino), the Fon all-female military regiment of the Kingdom of Dahomey (in present-dayRepublic of Benin) who formed the king’s special bodyguard unit, and his secret weapon! Remember that inBehanzin’s Farewell Speech in Dahomey, the king had sung praises of his beloved Mino. Here the narriator is amazed by their sight and confirms, “Old or young, ugly or beautiful, they are wonderful to contemplate. Just as muscular as the Black warriors, their attitude is just as disciplined and correct, …” Translated to English by Dr. Y.Afrolegends.com.
We are right in the Dahomean camp!
At least 15000 men are in front of us, arranged in order of battle in front of their tents made up of palm leaves, immobile, in such a deep silence that at 100 meters from our prison, in the same courtyard, separated by a simple wall, we could not have imagined their existence.
It is really a painting of a sublime horror and which painfully squeezes our heart. Fifteen thousand men, armed with guns and machetes! There is nothing to say, they are beautiful robust and muscular warriors under their white loincloths, which brings out the ebony of their stature even more. Not a cry, not a single movement, not a noise.
Quiet ourselves and deeply moved, we cross the hay that they form, lined up like the long rows of ears on a wheat field. Black and human harvest of which the one who is there can freely pick or mow heads.
The main officers of the army came to surround us. Our group starts to walk, it takes us more than a quarter of an hour to cross the first rows, given that their battle ranks are so deep. Then we cross an empty space, on the other side of which the Black army continues. Here it is no longer just warriors. The second line, in fact, consists of amazons in three tight ranks, surrounding in a huge circle the very throne of the king whom we cannot yet see.
They are there the four thousand female warriors, the four thousand Black virgins of Dahomey, bodyguards of the monarch, immobile under their war shirts, gun and knife in the fist, ready to pounce on a signal from the master.
Old or young, ugly or beautiful, they are wonderful to contemplate. Just as muscular as the Black warriors, their attitude is just as disciplined and correct, lined up like them in ranks.
The chiefs are in rows, at the head of the columns, recognizable by the richness of their shirts, by their proud and resolute air. Such are the amazons at rest with their arms. There is a long way from this discipline, this order, to the savage and barbaric hordes that we imagine. His Majesty Behanzin can be calm, these viragos will not let him be taken away easily. The triple circle that they form is immense, without a void, gap, or hole.
E. Chaudoin, extract from the Illustration of 26 July 1890, Les Africains Tome X, Editions J.A., 1978, P. 250
Did you know that ancient Egyptians did not only mummify humans, but animals also? Animals such as cats, crocodiles, mongooses, and ibises have been found in Egyptian pyramids. In ancient Egypt, the ibis was a special bird who represented the god Thoth, god of wisdom, magic, writing, hieroglyphs, science, art, judgment, and the dead. For the longest times, scientists could not understand where millions of ibises which had been mummified came from. Now, they seemingly have cracked this mystery.
While some have been discovered alongside human burials, others – most notably the sacred ibis bird – were mummified as part of rituals designed to curry favour with the gods.
More than 4 million sacred ibis mummies have been found in the catacombs of Tuna el-Gebel and 1.75 million have been discovered in the ancient burial ground of Saqqara. The vast majority were votive offerings to the god Thoth, a practice that had its heyday between 450BC and 250BC.
“The ibis was considered [to represent] the god Thoth, the god of wisdom, the god of magic, the god of judgment, writing all sorts of things,” said Sally Wasef, a research fellow at Griffith University in Australia and first author of the research.
“If you had a boss that annoys you and you don’t feel like you are getting a good judgment from him or you want fairness and justice, you go and ask Thoth to interfere and in return you promise to offer him an ibis, a mummified ibis, in his annual feast.”
But the sheer quantity of mummified ibises left experts scratching their heads – where did all these birds come from?
One suggestion is that they were reared on an industrial scale in hatcheries. That idea appears to have some support in ancient texts, such as the writings of Hor of Sebennytos, a priest and scribe in the second century BC, who wrote about feeding tens of thousands of sacred ibis with bread and clover.
To explore the possibility, Wasef and colleagues analysed DNA from 14 mummified sacred ibises found in ancient Egypt and 26 modern samples from across Africa.
… The results, published in the journal Plos One, reveal the level of diversity in the mitochondrial DNA among the ancient birds is similar to that among modern wild birds, and have similar levels of potentially harmful mutations. However, the team says if the ancient Egyptians farmed sacred ibises, the genetic diversity in ancient birds would probably be lower due to high levels of inbreeding.
Wasef said this suggested that, rather than being bred in a mass-farming situation, sacred ibises were tempted to local areas and kept in a natural habitat – or perhaps captured and kept in farms for a short time, ready for sacrifice. “[The most likely thing is ] next to each temple there was like a lake or a wetland – it is a natural habitat for the ibis to live in and if you are giving them food they will keep coming,” she said. Indeed, she notes, there was a swamp near Tuna el-Gebel and the Lake of the Pharaoh near Saqqara. …
In October, we talked about how the Sahara had been home to world’s largest sea creatures. Given that Africa is the cradle of humanity, it totally makes sense that it would also be the place where some the world’s largest sea creatures hail from. Now, scientists have charted the climate of the Sahara desert thousands years ago based on the diet of the people there, identifying it as a place which was plentiful with fish: a lot of catfish and tilapia (or rather ancestors of these!). Enjoy excerpts from this The Guardian article.
The Sahara’s shift from savannah with abundant lakes to a largely arid expanse has been traced in the remains of fish eaten thousands of years ago.
Researchers analysing material found in a rock shelter in the Acacus mountains in south-west Libya say they have found more than 17,500 animal remains dating from between 10,200 and 4,650 years ago, 80% of which are fish. About two-thirds of the fish were catfish and the rest were tilapia. The team say telltale marks on the bones reveal the fish were eaten by humans who used the shelter.
It is not the first time fish remains have been found in what are now dry regions of the desert, but the team say it is the first time the ancient climate of the region has been traced through animal remains.
“All the other finds are surface finds, [from] just one layer, one period, one event. Whereas what we have here is a 5,000-year sequence with a lot of bones – so that makes it special,” said Dr Wim van Neer from the Royal Belgian Institute of Natural Sciences, a co-author of the study.
The discovery is the latest in a string of finds from the large Takarkori rock shelter, a site, about 50-60 metres long and 30 metres high, that is thought to have been first used by hunter gatherers more than 10,000 years ago.
… Writing in the journal Plos One, Van Neer and colleagues report that fish account for about 80% of the animal remains discovered at the site during the 5,000-year period it was used by humans, with mammals making up just over 19%. Birds molluscs and other animals such as turtles account for the rest.
The team found the predominance of fish was not steady but fell from about 90% in the earliest layers to about 48% in those from the most recent period of its occupation.
“The amount of fish is decreasing through time and the contribution of mammals increases, showing that people at Takarkori focussed gradually more on hunting and livestock keeping,” the authors write. But, they add: “It is unclear if this was an intentional process or if this shift could be related to increasing aridity, which made the environment less favourable for fishes.” …
In 1898, the French colonial forces attacked the Tata of Sikasso which had resisted the tireless assaults of Samori Touré and his army for 15 months a decade earlier. Despite strong resistance from Babemba Traoré and his people, they could barely resist the French canons and barbary, and succumbed on May 1, 1898. As always, the French used treachery: the French colonel Marie Michel Alexandre René Audéoud wanted to install a garrison at Sikasso; but Babemba Traoré flatly refused. This resulted in a war between the French colonial forces and the people of Sikasso, which lasted 2 days. In the end, Babemba Traoré, the king, ended his life, abiding by the famous Bamanankan saying “Saya ka fisa ni maloya ye” (literally: death is preferable to shame). The city was then ransacked and plundered.
Below is an account of the barbary of the French colonel Audéoud and his men after their victory in Sikasso. The original in French can be found here on Jacques Morel’s page; the translation to English is brought to you by Dr. Y., Afrolegends.com .
In April 1898, the colonel Audéoudwho is looking for a boost for his promotion, sends captain Morisson demand from Babemba, Tieba’s successor, the “Fama” of Sikasso (in modern-day Mali), and ally – imprudent – of the French in their war against Samori, the establishment of a French garrison in his capital. Babemba refuses. It is war, and the siege of Sikasso where violent counter-attacks of the besieged repeatedly endanger the French troops. But with only three remaining enclosures still standing after resisting for fifteen months to Samori, “the fortress does not last two days when faced with modern artillery,” says Gilbert Comte.
Sikasso resists street by street. A French officer, taking part in the capture of Sikasso, describes the city as such:
“After the siege, the assault. Babemba kills himself. We give the order to plunder. Everything is taken or killed. All the captives, roughly 4000, are herded together.
The colonel [Audéoud] starts the distribution. He himself used to write in a notebook, then gave it up saying, “Share this among yourselves!”. The sharing took place with arguments and blows. Then back on our way! Each European is given a wife of his choice… On our way back we did intervals of forty kilometers with these captives. Children and all those who are tired are killed with the butt of the gun and the bayonet…
The corpses were left by the roadsides. A woman is found crouching. She is pregnant. We push her with the butt of the gun. She gives birth standing while walking. Has cut the umbilical cord and abandoned the child without looking back to see whether it’s a boy or a girl.
During those intervals, the men requisitioned on the way to carry millet stay five days without rations; receive fifty strokes of rope if they take a handful of the millet they are carrying.
The sharpshooters got so many captives that it was impossible to house and feed them.”
Sources: P. Vigné d’Octon, La Gloire du sabre, Paris, Flammarion, 1900; cité par Jean Suret-Canale, Afrique Noire, Occidentale et Centrale, Éditions sociales, 1968, page 274-275; Gilbert Comte, L’empire triomphant, Denoël, 1988, page 85-86.
Have you ever heard about the Tata of Sikasso or Sikasso Tata, a fortifying wall built in Mali which sustained attacks by some of the greatest conquerors of its time, including none other than the great Samori Touré ? and which was destroyed by the French colonial army ? This structure was probably stronger than some forts found in Europe. This defensive wall is quite reminiscent of the Great Wall of China.
The Tata of Sikasso was built for the protection of the city, in a military style. It used to extend through an area of 41 hectares, with its walls reinforced with the addition of earthen walls, bars, and alternate stone beds; the intervals of which were filled with ferrous gravel, earth, and stones. At the time of Samori Touré’s unsuccessful siege, which lasted 15 months from March 1887 to June 1888, the tatahad three concentric enclosures.
The exterior of the tatawas 9 km long, 6 m (∼20 ft) wide at the base and 2 m (∼7 ft) high at the summit. Its height varies between 4 to 6 m.
The intermediary tatawalls were not as big, and also not as wide. Those were meant for merchants, soldiers and nobles.
The inner enclosure encircled the Dionfoutou, which was the part of the city inhabited by the king and his family.
The fortress is still visible today in the actual landscape of the city of Sikasso in neighborhoods such as Mancourani, Medina, Wayerma, Bougoula city and Fulasso. Seven monuments, in the shape of doors, have been built with modern materials on the site of the passages of yesteryear to preserve their memory.