To celebrate all the mothers out there… I thought of sharing this beautiful song by the legendary Papa Wemba “Mama,” from his album Nouvelle Ecriture 1997 dedicated to his mother. I dedicate it to all the mothers out there, and future mothers. Papa Wemba was the King of Rumba and King of La SAPE, and an African Planetary Star. Of his mother who was a professional ‘wailing woman,’ he said: “My mother was my first teacher and my first public. … I grew up with my mother’s melancholic singing. … When I will sing, she will say “my son, block here, and now project your voice“… when I did well, she will clap for me“(source: Tv5 – Africanité). For his mother, he composed Mama and Maria Valencia. Enjoy! Happy Mothers’s Day.
The National Museum of Ireland has now forged plans to return the looted Benin bronzes. I hope their plans actually take form! Wen I hear of all these museums planning to return all these African artifacts, I cannot help but notice that the loot was a general or rather an international concerted affair… remember how we always hear about the international community? As you can see the distribution of the loot, in the case at hand, that of Benin City (Benin City: the Majestic City the British burnt to the ground), was done among all those European countries! This brings shivers! Moreover, when I see this, I cannot help but wonder why these museums are now so conscientious and are all talking about repatriation of these bronzes, particularly when these looted artifacts have generated millions upon millions of euros each year to their museums as part of tourism. Why will they be so happy to forfeit millions of euros in revenues for our poor African souls who not long ago were deemed too backward to take care of our very own artifacts? Also, with 3D printing being so ‘hip’ these days, I wonder if Africans will be getting the original artifacts? How will we know? Enjoy! Excerpts below are from the Sunday Times.
The National Museum of Ireland (NMI) intends to return 21 historical artefacts looted from Nigeria in the 1890s. The Benin bronzes, which were stolen by British soldiers, have been the subject of renewed focus in recent months, with growing pressure on cultural institutions to return them.
While there is no formal plan for when the Benin bronzes will be returned, the NMI said it was committed to progressing “a restitution process” for the artefacts.
The call for the repatriation of Benin artifacts, and African artifacts as a whole, has been gaining more attention. As you an imagine, it is news to think of churches being involved in this, or having these looted treasures. Well, as the excerpts below show, the Church of England has been urged to open up its books on all the world artifacts in its possession, after it agreed to return two Benin kingdom artifacts [Benin City: the Majestic City the British burnt to the ground, Europe’s Largest Museums to “Loan” Looted Benin (Nigerian) Artifacts back to Nigeria, Bronze Cockerel from Benin Kingdom to be returned to Nigeria]. Will the Church of England agree to it? Can you imagine the number of artifacts held in the coffers of other churches in Europe or the Vatican? Thousands! Excerpts below are from The Guardian.
Promise to repatriate Benin bronzes comes as momentum grows at other institutions on returning works
The Church of England has been urged to open up its books on the full range of world artefacts in its possession after promising this week to repatriate two Benin bronzes.
The move came amid a gathering sense of momentum around the issue of the disputed bronzes – most of which were looted by British forces in 1897.
While the British government has said UK institutions should “retain and explain” contested artefacts, the University of Aberdeen announced last month it would repatriate a bust of an Oba, or king of Benin, which it has had since the 1950s. The Horniman Museum in London also confirmed it was taking steps to return artefacts.
“It’s clear that this is now a Nigerian-led exercise,” said Dan Hicks, the curator of world archaeology at the Pitt Rivers Museum in Oxford and author of The Brutish Museums: the Benin Bronzes, Colonial Violence and Cultural Restitution.
Arguments put forward in the past that Nigeria was somehow unready to receive repatriated artefacts no longer held waterafter the formation of Legacy Restoration Trust, a Nigerian organisation facilitating restitution, said Hicks, describing it as a “game changing”.
“It’s also no longer just about the British Museum, which holds only a fraction of these artefacts. They are increasingly marginal to this conversation, which is more and more about regional and international museums.”