Fetishism in Africa: Its Origins ?

Senufo face mask (Kpeliye’e) exposed at the MET

In Africa, there is the concept of fetishism which has been prevalent as a description of African beliefs. Thus, a fetish is an object which holds spiritual power or supernatural significance. Given that African statues hold deep cultural, spiritual, and symbolic significance [Authorship in African Art: The Case of Yoruba Art], the term fetishism has been historically associated to them. Early European anthropologists have linked African religions and statues to fetishism. However, we are learning that this was a technique designed by Europeans to denigrate and dehumanize the African person so as to justify slavery [Dum Diversas or The Vatican’s Authorization of Slavery] early on, and colonialism later on. 

Cheikh Anta Diop, the great Senegalese historian, anthropologist, philosopher, physicist, and politician, showed in his book, Nations Nègres et Culture: de l’Antiquite nègre égyptienne aux problèmes culturels de l’Afrique noire d’aujourd’hui, that fetishism in Africa is not an inherent school of thought, but rather arose from the disconnection of modern Africans to their original religions due to violent exposure to centuries of attacks (slavery) from the West. Thus, he said, 

Cheikh Anta Diop
Cheikh Anta Diop

From one end of Black Africa to the other, passing through Egypt, the statues were originally intended to be the support of the immortal “double” of the ancestor after his earthly death. Placed in a sacred place, the statue was the object of offerings and libations: this fact, misinterpreted by Westerners, created the false idea of ​​fetishism. In reality, there is a tendency towards fetishism, that is, idolatry, only where the meaning of the cult has been forgotten through a break in tradition.”

Cheikh Anta Diop, Nations Nègres et Culture, Présence Africaine, Paris p. 339 (1954). Translated to English by Dr. Y, Afrolegends.com.

100 years after René Maran, An African wins the Prestigious Prix Goncourt

Mbougar Sarr
Mohamed Mbougar Sarr (Source: France 24)

Meet Mohamed Mbougar Sarr, the Senegalese writer who has just won the Prix Goncourt, France’s oldest and most prestigious literary prize. This makes him the first writer from sub-Saharan Africa, a Black African, to win the prize. Isn’t it funny that I was recently reading about René Maran, the first person of African descent (from French Guyana) to win the prestigious Goncourt prize in 1921 for his novel Batouala? This was the first French novel to openly criticize European colonialism in Africa, which caused violent reactions and was banned in all French colonies. So 100 years later, we have the first African to win the prize.

Mbougar Sarr-la plus secrete memoire des hommes
“La plus secrète mémoire des hommes” de Mohamed Mbougar Sarr

Mbougar Sarr is the youngest winner of the Goncourt since 1976. He hails from Senegal, where he grew up in the city of Diourbel, a small city located about 100 miles from the capital Dakar, before moving to France to study literature. His winning novel, La plus secrète mémoire des hommes (The Most Secret Memory of Men), tells the story of a young Senegalese writer living in Paris who stumbles by chance across a novel published in 1938 by a fictional African author named TC Elimane, nicknamed “the Black Rimbaud” by an ecstatic Paris media. The story, described as a reflection on the links between fiction and reality, follows the life of a cursed African writer echoing the real-life experience of the Malian writer Yambo Ouologuem who in 1968 was the first African winner of the prix Renaudot, but was later accused of plagiarism, and had to flee France and vanish from public

life.

Rene Maran_1
Posting of René Maran as he won the Prix Goncourt for Batouala

Previous works by Mbougar Sarr, Terre Ceinte (his first novel published in 2015) and Silence du choeur (2017) have won several prizes including the Prix Ahmadou-Kourouma, and the Grand prix du roman métis. Congratulations to Mohamed Mbougar Sarr for winning the 2021 Prix Goncourt. It took 100 years after René Maran for Sub-Saharan Africa to have a winner of the Goncourt !!!