Tag: Hot Koki

Cameroonian Musical Genius : Ekambi Brillant

On By Dr. Y.In Great Music, Great PeopleLeave a comment
Ekambi Brillant on the cover of his 1987 album Reason (Source: RhythmConnection.Blogspot.com)

Ekambi Brillant was without doubt one of Cameroon’s greatest artists and one of the great African musicians. Originally from Dibombari, a village close to Douala, Brillant spent his youth with his maternal grandparents in Jebale, a suburban island of Douala. Per the words of Cameroonian author Elolongue Epanya Yondo, Jebale is known as the “emerald island, flamboyant jewel” on the Wouri estuary; no wonder, it served as the inspiration to a young Ekambi!  His passion for music was born from ancestral roots and from watching and listening to fishermen singing on their way back home from the sea.

Wouri river and the Djebale island seen on the other side

In 1962, Brillant was admitted to the 6th grade in the prestigious Lycée Général Leclerc (General-Leclerc High School) of Yaoundé. It was there, under the careful attention of Mr. Daniel Zane, his French music teacher, that he learned to play music, particularly the guitar. In 1971, at the age of 23, he stopped his studies and moved to Douala, where he joined the band The Crack’s as a guitarist. He applied for and won the music contest launched by the Office of French Broadcasting Television (ORTF), judged by some of the continent’s great musical personalities such as Manu Dibango and Francis Bebey. Thanks to this prize, he was able to release his first 45 rpm record, Jonguèlè la Ndolo, which sold 20,000 copies.

Ekambi Brillant’s album ‘Africa Oumba’

In 1972, he flew to France, where, with the support of Jean Dikoto Mandengue, a Cameroonian bassist, he produced and released his second 45 rpm record with Phonogram. The album was a major success and sold 25,000 copies. As stated before, Ekambi Brillant’s love for his country, his people, and music can be felt in every single note!

In 1975, he ended his deal with Phonogram and began a collaboration with Slim Pezin, with whom he released the album Africa Oumba, which included the major hit song “Elongui.” The song became an incredible source of inspiration for several other artists, both African and European, including the Greek singer Demis Roussos, who sang it as “L.O.V.E. Got a Hold of Me.” Roussos’ version used the exact melody of Ekambi Brillant’s original makossa hit, but he never acknowledged Ekambi Brillant—not even with a tribute. It was only later that African fans (including yours truly) loudly affirmed that this was Brillant’s original work. In the past, African compositions have often been adapted/plagiarized without formal credit, especially when entering European or American markets. Roussos earned millions from Ekambi’s song, without giving him a penny. This is reminiscent of Andre Marie Tala, Cameroon’s Blind Musical Virtuoso, and his song Hot Koki which was plagiarized by  James Brown, or more recently Shakira with “Waka Waka (This Time for Africa)” “adapting” the “Zamina mina (Zangaléwa)” song and claiming in an interview to have gotten inspiration while walking on a beach. The album Africa Oumba reached a record of about 4 million sales (diamond disk). Further collaborations with Slim Pezin as producer yielded titles such as Soul Castel and Musunguédi. In 1976, Ekambi Brillant formed his band known as The Ebis (Ekambi Brillant Show).

Ekambi Brillant ‘Muna Muto’

Over the course of his career, Brillant released nearly 20 albums. Brillant passed away on 12 December 2022 in Douala at the age of 74, after a battle with a long-term illness. Unfortunately, like many in Cameroon, he was a brilliant soul who barely received the recognition his genius deserved. He was from a generation of outstanding Cameroonian artists.

Ekambi Brillant remained an inspiration to generations of artists, propelling several careers and guiding many musicians—both Cameroonian, such as Marthe Zambo, Valery Lobe, and Alhaji Touré, and African, such as Cella Stella and Angelique Kidjo. He was so advanced, brilliant, and inspired … going through his music portfolio is filled with great sounds and a great source of inspiration. Cameroonians should get inspired from his work and celebrate his genius. 

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Andre Marie Tala: Cameroon’s Blind Musical Virtuoso

On By Dr. Y.In Great Music, Great People5 Comments
André Marie Tala
André Marie Tala

Most people have heard of Stevie Wonder, the American blind R&B virtuoso, who was discovered at the tender age of 11. Most people versed in classical music have probably heard of the Italian classical tenor Andrea Bocelli, who was born with poor eyesight, and turned blind by the age of 12. But how many of you have heard of the Cameroonian blind singer André Marie Tala who influenced an entire generation of Cameroonian and African artists? the singer who was even plagiarized by the mighty James Brown? 

Andre Marie Tala and Sam Fan Thomas (Source: RfI)
Andre Marie Tala and Sam Fan Thomas (Source: Rfi)

To those who visit my blog, you have probably listened to two of his classic songs, which are odes to some of Africa’s beautiful capitals: Yaoundé, and N’Djamena, the capitals of Cameroon and Chad respectively. Only after I wrote about N’Djamena did I realize that André Marie Tala had performed at the Olympia (with Sam Fan Thomas, another giant of Cameroonian music) on May 17th to celebrate his 45 year anniversary in the music industry.

André Marie Tala
André Marie Tala

Unlike all the singers cited earlier, Tala plays the guitar. Born in the mountains of the Western province of Cameroon in 1950, Tala loses his mother at the tender age of 4, and then his father at 16. He totally loses sight at the age of 15, and will be taken in by his grandmother. He builds his very first guitar with threads made out of nylon, and bamboo, and works on reproducing sounds from his favorite musicians. He starts his first group, the Rock Boys, with which he goes on to have immediate success. The Rock Boys later morphed into the Black Tigers in 1967 with his friend, guitar player, Sam Fan Thomas. At the age of 20, he moves to Paris and collaborates with the great Cameroonian saxophone player Manu Dibango; he lands his first big musical contract. Thus were born the titles Sikati, Po tak Si nan (laissez Dieu tranquille ! – leave God in peace), and Namala Ébolo. Big success! Po tak Si nan is a mixture of soul, jazz, and rhythm n’ blues, blend in with a mix of Cameroonian musical styles such as Makossa and Bikutsi. Tala calls his style “Tchamassi”.

The album "Hot Koki" by André Marie Tala
The album “Hot Koki” by André Marie Tala

In 1973, his album “Hot Koki” knows international success, and his single “Hot Koki” is even plagiarized by the great James Brown under the new title “The Hustle”. In 1978, after 4 years of judiciary struggles, Tala is awarded justice, and James Brown is condemned to pay him back all his rights.

The big themes of Tala’s music are peace, love, and harmony. In the 90s, he brings Bend Skin to the forefront of Cameroonian music, a folkloric fusion of styles from the grasslands of Cameroon. It is often associated with the moto-taxis which are called by the same name Bend-Skin.

Album of André Marie Tala
Album of André Marie Tala

By choosing the Olympia (the quintessential stage for music in France), for his musical jubilee, André Marie Tala wants to launch a new beginning for the Cameroonian music which has always been rich and influenced millions, but for the past decade has stagnated. Happy 45th-anniversary to Andre Marie Tala, and to many more albums of great music. I live you here with one of my favorite Tala’s song, Nomtema. Do not forget to check out “HOT KOKI” and check out the similitude with James Brown’s “THE HUSTLE“; it is the same, just in English!