
It is no secret that Aimé Césaire, the father of the Négritude movement, was a prolific author and poet. He published over 100 poems, each one more unique than the other. Césaire was not only responsible for Cahier d’un retour au pays natal, a widely acclaimed masterpiece read throughout schools in Africa today, which documented the 20th-century colonial condition, but he was also an accomplished playwright. In what Césaire describes as his “triptych” of plays, La Tragédie du roi Christophe (The Tragedy of King Christophe, another one read in schools), Une Saison au Congo (A Season in the Congo, another masterpiece), and Une Tempête (The Tempest), he explores a series of related themes, especially the efforts of Blacks—whether in Africa, the United States, or the Caribbean—to resist the powers of colonial domination. Like his poetry and polemical essays, Césaire’s plays explore the paradox of Black identity under French colonial rule.
The poem below “The Woman and The Flame” by Aimé Césaire, Solar Throat Slashed: The Unexpurgated 1948 Edition, is from published by Wesleyan University Press, and translated to English by Clayton Eshleman. Enjoy!
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“The Woman and the Flame” by Aimé Césaire
A bit of light that descends the springhead of a gaze
twin shadow of the eyelash and the rainbow on a face
and round about
who goes there angelically
ambling
Woman the current weather
the current weather matters little to me
my life is always ahead of a hurricane
you are the morning that swoops down on the lamp a night stone
between its teeth
you are the passage of seabirds as well
you who are the wind through the salty ipomeas of consciousness
insinuating yourself from another world
Woman
you are a dragon whose lovely color is dispersed and darkens so
as to constitute the
inevitable tenor of things
I am used to brush fires
I am used to ashen bush rats and the bronze ibis of the flame
Woman binder of the foresail gorgeous ghost
helmet of algae of eucalyptus
dawn isn’t it
and in the abandon of the ribbands
very savory swimmer

