Bronze Cockerel from Benin Kingdom to be returned to Nigeria

Benin Kingdom_Okukor2
Bronze cockerel ‘Okukor’ at Jesus College in Cambridge (Source: The Guardian)

Another return of an artifact from a Western institution to an African country, which I applaud… but I remain guarded. Why am I skeptical? Well, because if over 50% of artifacts in the great museums of this world (Louvre, British Museum, MET, Tervuren, etc) which generate a lot of money, and knowledge to western schools, researchers, etc, is made up of looted treasures… will the benefactors of the loot willingly return these? And if they return these, who is to say that it is the real thing? One should not expect a thief not to cheat you again! Below are excerpts from the article in The Guardian. Enjoy!

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Rooster from Benin Kingdom (18th century)
Rooster from Benin Kingdom (18th century) at the Metropolitan Museum of Art (the MET)

A bronze cockerel taken by British colonial forces and donated to Jesus College Cambridge is to be returned to Nigeria in an unprecedented step that adds momentum to the growing repatriations movement.

The Okukor, described by the college as a “royal ancestral heirloom”, will be one of the first Benin bronzes to be returned to Nigeria by a major British institution since the punitive expedition in 1897 when thousands of bronzes were stolen from Benin City by British forces.

No specific date for return has been released but the college stated that the bronze cockerel “belongs with the current Oba at the Court of Benin”. The return was recommended by Jesus College’s Legacy of Slavery Working Party (LSWP), a group dedicated to looking at the institution’s connections to slavery, which confirmed the piece was donated in 1905 by the father of a student.

[…] Victor Ehikhamenor, a Nigerian artist and member of the Benin Dialogue Group, said: “No matter how small the gesture may look, it is a huge step towards the realisation of restitution of the works from the Benin Kingdom that were looted by the British. This is very important example, which I hope other Europeans, especially British institutions, will follow without any excuses or delays.”

Dan Hicks, a professor of archaeology at the Pitt Rivers Museum in Oxford and a representative of the Benin Dialogue Group, said: … In the past, our attention on this matter was focused on national collections like the British Museum and the V&A – but in reality such loot is held in dozens of institutions across the regions: city museums, art galleries and the collections of universities.”

[…] The Jesus College announcement comes almost exactly 12 months after the release of a report commissioned by the French president, Emmanuel Macron, which recommended the return of colonial-era artefacts by France.

Queen from Benin kingdom
Queen from Benin kingdom (at the MET)

The report’s authors, the Senegalese economist Felwine Sarr and the French art historian Bénédicte Savoy, told the Guardian that the British Museum, which houses a huge collection of the Benin bronzes, was acting like “an ostrich with its head in the sand” by not acting faster on repatriations.

[…] Since the release of the report, Ivory Coast, Senegal and the Democratic Republic of the Congo have made formal requests for the return of artefacts. European countries including France and Germany have committed to handing back objects, with the Rijksmuseum in Amsterdam opening talks with Sri Lanka and Indonesia and describing the Netherlands’ failure to return stolen artefacts as a “disgrace”.

The news comes a week after Open Society Foundations (OSF) announced a $15m initiative aimed at strengthening efforts to “restore cultural objects looted from the African continent”. …

4 thoughts on “Bronze Cockerel from Benin Kingdom to be returned to Nigeria

  1. I’m happy something is being returned, but there needs to be way more to go back to Africa. This is one of the reasons why I wrote and recorded the Art Theft series for my upcoming album. I have one song called Art Theft: Nigeria where I do a spoken word piece with Yoruba, Igbo, Hausa, and English words while a marimba plays.

    Since the artifact is from the Benin Kingdom, all I can think about is that one scene in Black Panther where Killmonger schools the museum worker in England. Even though he was the “bad guy” in that movie, he was absolutely right in telling her off and wanting the artifacts to be returned. You don’t see Africa looting European art, that’s for sure.

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      1. Sure thing. I understand your issues with that movie which I also share some of them as well, but that scene had so much truth in it even though they made Killmonger look like the bad guy in that situation despite making a very legitimate point against that museum worker when they talk.

        Definitely, and I wish it was the case with returning the artifacts.

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  2. Pingback: Ospreyshire Origins: Art Theft series (Benin, Nigeria, Senegal) | Ospreyshire's Realm

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